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E.A. Savina
estate Motives in tHe Paintings of Masters Belonging to tHe «association of itinerant
art eXHiBitions»
The subject of the article is estate art of the second part of the XIX century and the turn of the XIX and XX centu-
ries. A “bourgeois” period of estate life is distinguished. It corresponds to a “sketchy-poetic” artistic style. Through
the example of estate canvases lines of succession from teachers to disciples – the members of the “Association of
Itinerant Art Exhibitions” and the “Union of Russian Artists” are composed. Continuity of realistic traditions is
revealed. These traditions are manner of painting, compositional arrangements, motives and estate images. There
is a difference in depicting a Russian estate in the pictorial art of Itinerants and “union” members. The estate role
is defined in the life and creative work of A.K. Savrasov, I.I. Shishkin, V.D. Polenov, I.I. Levitan, I.E. Repin.
Key words: estate, estate art, pictorial art
in estate, estate image, “Association of Itinerant Art Exhibitions”, “Un-
ion of Russian Artists”.
References:
[1] Konstantin Korovin. Painting. Theater: to the 150 anniversary since birth [Konstantin Korovin. Zhivopis’.
Teatr: k 150-letiyu so dnya rozhdeniya] // State Tretyakov gallery [Gos. Tret’yakovskaya galereya] / Under L.I.
Iovleva’s edition, the scientific editor O. D. Atroshchenko, G. S. Churak. Moscow, Skanrus, 2012, 400 p.
[2] Kramskoy I.N. 1837–1887. The catalog to an exhibition of works to the 150 anniversary since the birth
[Kramskoi I.N. 1837–1887. Katalog k vystavke proizvedenii k 150-letiyu so dnya rozhdeniya] / Under edition
and with introductory article Ya.V. Brook. Moscow, Soviet Russia [Sovetskaya Rossiya], 1988, 256 p.
[3] Lapshin V.P. Development of traditions of the Russian painting of the XIX century in the XX century («The
union of the Russian artists» and some other associations) [Lapshin V.P. Razvitie traditsii russkoi zhivopisi XIX
veka v XX stoletii («Soyuz russkikh khudozhnikov» i ryad drugikh ob»edinenii)] // Russian art culture of the
end of XIX – the beginning of the XX century (1908–1917). Book 4. Fine arts. Architecture. A.D Arts and
crafts [Russkaya khudozhestvennaya kul’tura kontsa XIX – nachala XX veka (1908–1917). Kn. 4. Izobrazitel’noe
iskusstvo. Arkhitektura. Dekorativno-prikladnoe iskusstvo] / Editors. Alekseev, Yu.Ya. Barabash, S.S. Ginzburg,
Yu.S. Kalashnikov, A.A. Sidorov, G.Yu. Sternin, O.A. Shvidkovsky. Moscow, Science [Nauka], 1980, pp. 29–78.
[4] Lyaskovskaya O. A. I.E. Repin. Life and creativity [I.E. Repin. Zhizn’ i tvorchestvo]. Moscow, Art [Iskusstvo],
1982, 480 p.
[5] Smirnov L. Estate Landscape of Russia. Our Heritage Review [Usadebnyi landshaft Rossii] // our Heritage
[Nashe Nasledie]. 1994, № 29-30, pp. 35–49.
[6] Zlygosteva N. A. http://apchekhov.ru «APChekhov.ru: Anton Pavlovich Chekhov». Stories, Novels [«AP-
Chekhov.ru Anton Pavlovich Chekhov». Rasskazy, povesti]. URL: www.apchekhov.ru/books/item/f00/s00/
z0000007/st040.shtml (27.08.14)
[7] Main electronic library. Russian literature and folklore. 990. To A.S. Suvorin on July 29, 1891 Bogimovo
[Fundamental’naya elektronnaya biblioteka. Russkaya literatura i fol’klor. 990. A.S. Suvorinu 29 iyulya 1891
g. Bogimovo]. URL: www .feb-web.ru/feb/chekhov/texts/sp0/pi4/pi4-254-.htm (27.08.14)
I.G. Matyukhov
tradition of russian ortHodoX cHoral cHanting in «tWo sacred cHants to tHe MeMory
of aleXander Men» By victor СoPytsko
In article methods of realization the tradition of Russian Orthodox choral chanting in V. Copytsko score «Two sa-
cred chants to the memory of Alexander Men» (1990) are considered. Melos and style genesis of product becomes
known, principles of interpretation of sacred texts by the contemporary Belorussian composer are analyzed.
Key words: Russian Orthodox choral chanting, Alexander Men, «Lord, now lettest thou», «Rest with saints»,
paraliturgical musical practice.
References:
[1] Alfeevskaya G. O. «Symphonies of psalms» by I. Stravinsky (to a problem of «neoclassicism») [«Simfonii psal-
mov» I. Stravinskogo (k probleme «neoklassitsizma»)] // I.F. Stravinsky. Articles and materials [I.F. Stravin-
skii. Stat’i i materially] / Originator L.S. Dyachkova. Under the general edition of B. M. Yarustovsky. Mos-
cow, Soviet composer [Sovetskii kompozitor], 1973, pp. 250–276.
[2] Kopytko V. Two chants of memory of the lake Aleksandra Menya for the mixed chorus a cappella [Note]
[Dva pesnopeniya pamyati o. Aleksandra Menya dlya smeshannogo khora a cappella [Noty]] // New sacred
music of the countries of the former USSR. The ecumenical collection of scores for choruses and cham-
ber ensembles [Novaya dukhovnaya muzyka stran byvshego SSSR. Ekumenicheskii sbornik partitur dlya
khorov i kamernykh ansamblei]. Minsk Erfurt: BQ publishing and creative laboratory [Erfurt: Izdatel’sko-
tvorcheskaya laboratoriya BK], 1993, pp. 32–49.
AXIoLoGICAL EXPERIENCE
D.yU. Ignatev, L.N. Letyagin
HoMo eXPonens in tHe systeM of cultural coMMunications
Book marginalia are still familiar and the most widespread form of reader comments. The very existence of mar-
gins provokes and anticipates the labour of interpretation. The nonidentity of “writing” and “reading” acts is the
guarantee both for the value of the text and for the corresponding communicative experience. The meaning gen-