Su
m
m
ar
y
&
Re
fe
re
nc
es
21
[4] Kiseeva of E.V. Body as experiment area at modern plastic theater [Telo kak oblast’ eksperimenta v sovre-
mennom plasticheskom teatre] // Historical, philosophical, political and jurisprudence, cultural science and
art criticism. Questions of science and practice [Istoricheskie, filosofskie, politicheskie i yuridicheskie nauki,
kul’turologiya i iskusstvovedenie. Voprosy nauki i praktiki]. Tambov, Diploma [Gramota], 2013, №. 2 (28): in
2 p. P. II. [v 2-kh ch. Ch. II], pp. 83–86.
[5] Nikonova S. B. Aesthetic rationality and new mythological thinking. Moscow [Esteticheskaya ratsional’nost’
i novoe mifologicheskoe myshlenie]. Consent [Soglasie], 2012, 416 p.
[6] Tatsumi Hidzikata. My dance was born out of the mud [Moi tanets rodilsya iz gryazi]. URL: www.old.gir-
shon.ru/txt/butoh_tazumi.htm (15.07.2014)
[7] Shekhter T.E. Realism in measurement «hyper» [Realizm v izmerenii «giper»]. Saint Petersburg, Asterion,
2011, 180 p.
I.B. Gorbunova
forMation of integrative Model for seMantic sPace of Music and Music coMPuter
tecHnologies: actual Meaning and soMe PersPectives
The article discusses the application of music computer technologies (MCT) in the process of forming the inte-
grative model for semantic space music. The author analyzes the mechanisms of forming, focusing on specific
components of that space. The necessity of development of the model in transforming the forms and methods
of accumulating and transmitting of knowledge about music and musicology is marked in connection with the
general task of unifying various approaches to the problem into an organic whole.
Key words: music
computer technologies,
digital art,
music semantic space, virtual reality.
References:
[1] Gorbunova I.B. Information technologies in music. Vol. 1, Very tectonics of a musical sound: manual [In-
formatsionnye tekhnologii v muzyke. T. 1: Arkhitektonika muzykal’nogo zvuka]. St. Petersburg, Publishing
house of RGPU of A. I. Herzen, 2009, 175 p.
[2] Gorbunova I.B. Information technologies in music. Vol. 2, Musical synthesizers: manual [Informatsionnye
tekhnologii v muzyke. T. 2: Muzykal’nye sintezatory: uchebnoe posobie]. St. Petersburg, Publishing house of
RGPU of A.I. Herzen, 2010, 205 p.
[3] Gorbunova I.B. Information technologies in music. Vol. 3: Musical computer: manual [Informatsionnye
tekhnologii v muzyke. T. 3: Muzykal’nyi komp’yuter: uchebnoe posobie]. St. Petersburg, Publishing house of
RGPU of A.I. Herzen, 2011, 412 p.
[4] Gorbunova I.B. Fenomen of musical and computer technologies as the new educational creative environ-
ment [Fenomen muzykal’no-komp’yuternykh tekhnologii kak novaya obrazovatel’naya tvorcheskaya sreda] //
News of the Russian state pedagogical university of A.I. Herzen. 2004, № 4 (9), pp. 123–138.
[5] Gorbunova I.B., Zalivadny M. S. Information technologies in music. Vol. 4: Music, mathematics, informat-
ics: manual [Informatsionnye tekhnologii v muzyke. T. 4: Muzyka, matematika, informatika]. St. Petersburg,
Publishing house of RGPU of A.I. Herzen, 2013, 180 p.
[6] Gorbunova I.B., Zalivadny M. S. Musical and theoretical views of Leonard Euler: relevance and prospects
[Muzykal’no-teoreticheskie vozzreniya Leonarda Eilera: aktual’noe znachenie i perspektivy] // Bulletin of the
Leningrad state university of name A.S. Pushkin. 2012, № 4 (Vol. 2), pp. 164–172.
[7] Gorbunova I.B., Zalivadny M. S. About mathematical methods in research of music and training of musi-
cians [O matematicheskikh metodakh v issledovanii muzyki i podgotovke muzykantov] // Problems of musi-
cal science [Problemy muzykal’noi nauki]. 2013, № 1 (12), pp. 272–276.
[8] Gorbunova I.B., Zalivadny M. S. Experience of mathematical representation of musical and logical regu-
larities in Ya. Xenakis’s book «The formalized music» [Opyt matematicheskogo predstavleniya muzykal’no-
logicheskikh zakonomernostei v knige Ya. Ksenakisa «Formalizovannaya muzyka»] // Society. Environment.
Development [Obshchestvo. Sreda. Razvitie]. 2012, № 4, pp. 135-139.
[9] Gorbunova I.B., Kibitkina E.V. Musical programming: questions of training of specialists [Muzykal’noe pro-
grammirovanie: voprosy podgotovki spetsialistov] // Art and education [Iskusstvo i obrazovanie]. 2010, № 5
(67), pp. 104–111.
[10] Gorbunova I.B., Romanenko L.Yu., Rodionov P. D. Musical and computer technologies in formation of
information competence of the modern musician [Muzykal’no-komp’yuternye tekhnologii v formirovanii in-
formatsionnoi kompetentnosti sovremennogo muzykanta] // Scientific and technical sheets of the St. Peters-
burg state polytechnical university, Humanitarian and social sciences [Nauchno-tekhnicheskie vedomosti
Sankt-Peterburgskogo gosudarstvennogo politekhnicheskogo universiteta. Gumanitarnye i obshchestvennye
nauki]. 2013, № 1 (167), pp. 39–48.
[11] Gorbunova I.B., Romanenko M. Yu., Chibiryov S. V. Modeling of process of musical creativity with use of
musical and computer technologies [Modelirovanie protsessa muzykal’nogo tvorchestva s ispol’zovaniem
muzykal’no-komp’yuternykh tekhnologii] // the Bulletin of Irkutsk state technical university [Vestnik Ir-
kutskogo gosudarstvennogo tekhnicheskogo universiteta]. 2013, № 4(75), pp. 16–24.
[12] Zalivadny M. S. Use of regularities of aural-visual sinesteziya in composition and the analysis of music [Prim-
enenie zakonomernostei slukhozritel’nykh sinestezii v kompozitsii i analize muzyki] // Sinesteziya: common-
wealth of feelings and synthesis of arts: materials of the international the scientific and practical conferences.
Kazan, KGTU [Sinesteziya: sodruzhestvo chuvstv i sintez iskusstv: materialy mezhd. nauch.-prakt. konf.
Kazan’: KGTU]. 2008, pp. 156–159.
[13] Zalivadny M. S., Burshtyn L. N., Budeykina T. B. Cartesian product of sets and composition of functions:
interaction in musical space [Dekartovo proizvedenie mnozhestv i kompozitsiya funktsii: vzaimodeistvie v
muzykal’nom prostranstve] // Scientific session of GUAP. H. I. Technical science [Nauch. sessiya GUAP. Ch. I.