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intensive use of online social media makes these patterns
more visible and less
escapable as objects of reflection. It also turns our attention towards
superdiversity as an area in which processes of cultural production and
reproduction may acquire new – or at least visible – features, demanding new
productive reflection and analysis (cf Blommaert & Rampton 2011).
This paper has limited ambitions. We intend to provide a rough outline of the
two forces we observe and we see as defining this pattern of culture-as-accent: a
strong tendency towards uniformity and homogeneity on the one hand, and the
inflation of details as metonymic marks of the total person on the other. Both
forces co-occur in a dialectic in which the very forces of homogenization are
always ‘footnoted’, so to speak, by strong and outspoken tendencies towards
inflating and overvaluing details. In fact, much of contemporary cultural life can
perhaps best be described as ‘uniformity-with-a-minor-difference’, and
consumer capitalism plays into both apparently contradictory forces. The
clearest examples of these patterns can thus be found in advertisements, and
most of the illustrations we shall use in this paper are taken from that domain.
The regimented society
Our times are not different from most of Modernity – an era characterized by a
tension between individualism and society, between an ideology of individual
achievement and accomplishment, and the homogenizing pressures of an
increasingly integrated society (see Fromm 1941 for an excellent discussion;
also Entwistle 2000: 114-117, drawing on Simmel 1971). Consumer capitalism
places itself right in the nexus of this tension, emphasizing individual choice
while at the same time aiming at mass comsumption of similar products.
Remember that Marcuse saw this feature as defining consumer capitalism: the
paradox that we seem to believe that we are all unique individuals when we all
wear the same garments, eat the same food and listen to the same music. This
exploitation of an ideological false consciousness was, for Marcuse, the reason to
see consumer capitalism as a form of totalitarianism. It was also Marcuse who
identified the behavioral and social outcome of this: the fact that people’s
consumption practices become the key to their social life. It is on the basis of
shared consumption – owning or admiring similar commodities – that people
form social groups. Identities are shaped by consumer behavior, and Bourdieu’s
Distinction provided powerful empirical arguments for this.
Marcuse’s thesis has been under fire for decades because of the totalizing and
less than nuanced nature of his analysis (as well as, politically, the assumptions
he used). Yet, the way our societies have of late developed may offer
opportunities to return to the essence of the argument.
Marcuse identified as false consciousness the fact that people, in order to
participate in the totalitarian consumption modes, offer themselves to
exploitation. The money required to purchase cars, refrigerators and television
sets was earned by working longer and harder – by enabling the very producers
of consumer commodities, in other words, to maximize profits by maximizing
workers’ exploitation. This opportunity for false consciousness (i.e. for the
‘ideological lie’ at the heart of the system) was predicated on a fully integrated
society in which commodities circulated with speed and intensity, and in which
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messages and images about such commodities – advertisement – appeared as
the fuel driving this mode of intense circulation. People can only project
particular ideas of identity onto, say, ownership of a BMW, when these ideas
have been in circulation and have socially been enregistered, when they have
become part of the common set of meaning-giving resources in a society. It is
only, to adopt Bourdieu’s terminology for a moment, when a field has been
shaped that people can take positions in that field. Concretely: we can only see
our purchase of a BMW as an act of identity when other people see it in similar
terms. We can then convert the fundamentally unfree relationship that is at the
core of this transaction (someone paying a determined amount of money as a
prerequisite for acquiring a commodity, in this case a BMW car) into something
else: ‘choice’, the practice of selecting from within a huge range of alternatives,
by a free and unconstrained individual. Choice has become the concept that
embodies the ideological lie identified by Marcuse. It is in the ideological
construction of ‘choice’ that we convert an unfree structure of market
transaction into a practice that is the pinnacle of freedom: buying something
after a process of selection, in which we compare and assess immaterial features
of the commodities on offer – their ‘mythologies’ in the sense of Roland Barthes
(1957). It is in this process, too, that we convert consumption from a transaction
between two parties into an act that bespeaks just the consumer’s identity, into
something that is about ‘me’ and ‘who I am’, not about the seller’s bank account
(cf. Cronin’s [2000] ‘compulsory individuality’).
There is no doubt that our era differs from preceding ones in terms of the speed
and intensity of the circulation of messages and images on almost any aspect of
life, online as well as ‘offline’, effective as well as aspirational. The internet has
become a vast forum for the marketing of commodities, culture and selves, one of
the spaces where superdiversity appears most visibly and palpably. It has
shaped (and this process is not finished) a degree of integration to our societies
probably unparalleled in history, and this in the face of an ever-growing increase
in complexity and diversity. And with this increasing integration comes a range
of social and cultural phenomena perhaps not new in substance but surely in
degree, scope and intensity. As to scope: many of these phenomena are now
effectively global and have become part of the general sociocultural scripts of
populations in almost every part of the world. There is no need at this point to
elaborate; a booming literature is documenting this process (e.g. Appadurai
1996; Jenkins 2006; Varis & Wang 2011).
This increased integration shapes and reshapes a plethora of fields: any aspect of
human life can now be organized into structured and ordered mini-systems,
which we called elsewhere ‘micro-hegemonies’ (Blommaert & Varis 2011). That
is, miniscule aspects of life can be shaped now as targets for ordering practices
related to commodification, and all of these fields are now subject to ‘how to’
discourses, to forms of regimentation and submission to ideals, strategic
objectives and targets, and to infinitely detailed patterns of ‘management’ (i.e.
homogenizing discipline) and accounting practices. In that sense, what we
currently witness on the internet is an infinitely fractal reproduction of the
sociocultural domains sketched in Bourdieu’s Distinction, a degree of elaboration
and detail which is, in principle as well as in actual fact, infinite. The Foucaultian
tension between ‘normal’ and ‘abnormal’, absorbed into elaborate practices of