Traditional and new images in uzbek and karakalpak poetry

Science and Education in Karakalpakstan. 2023 №1/2 ISSN 2181-9203 
263 
sensizlikka ko‗nikdim 
biroq 
har baxtli kunimda sening yoding bor[3,172]
.
(Meaning:
I got used to being without you 
However 
I remember you every happy day). 
In this duality of U.Hamdam, the feeling of consent in the heart of the unrequited lover 
served to ensure poetic integrity. In this, the image of the river is expressed in a very beautiful and 
concise way. In other words, he has not reached the peak, and in order to feel the great happiness 
behind getting used to "youlessness", it is permissible to listen to the poet's opinion. After all, 
indifference does not present defeat to the poet, but success. It is true that the poet feels happy 
behind this victory. His confession that "you have a mind" and his inability to reach his goal never 
lead him to unnecessary troubles. Again, he felt very relieved, and in his mind, I am convinced that 
my failure to reach your goal led me to happiness. In this case, the poetic image is the beloved. If 
the meeting of two souls in the memories is the content, the passionate warmth of love is aimed at 
uniting the souls. When memory is awake, a person breathes life, because a person is alive with 
beautiful memories.
In the work of J.Izbaskanov, the honored poet of the Karakalpak people, we can see the form 
of imagery proportional to the above content:
Ishqing sening qanchalar go‗zal! 
Go‗zallikdan shodalanaman men, 
Hech so‗nmagin kuzgi quyoshim!?[4,63] 
(Meaning:
Your love is so beautiful! 
I rejoice in beauty, 
May my autumn sun never fade!?) 
It seems that in this poem the poet expresses his happy life in beautiful allusions. Feeling the 
beauty of love, feeling the joy of living in it, shows the great literary thinking of the poet. In both 
examples, the epic poetic content is embodied. He is taught to live with pleasure from every 
moment of life, not to give long definitions and descriptions. A smart reader also makes a habit of 
enjoying its warmth.
In J.Izbaskanov‘s work, you can find many traditional hokku in Japanese poetry. In it, the 
poet comes into conflict with his ideals, ideas, and sufferings. As a result, the poet's poetic image 
appears convincingly, impressively, meaningfully.
―An image in a work of art is not just a character or a metaphor; in fact, it has a wide range 
of action. A literary image is a vision, concept, hypothesis that can be seen, felt, understood; a sum 
of things, events, scenery, people, words, expressions, etc., that re-express life in a literary way. It 
embodies many concepts, such as the author's literary ideal and attitude towards it, the reflection of 
real existence, the inner world of a person‖[4,194].
It is no secret that epicness is deepening in the images created by B.Genjemurad. The poet 
himself may not know about it, but it is difficult to infuse great life content into each poem. But 
B.Genjemurad manages to do it: 
―Yo, tavba! 
Pushkinning qanotida parvoz etganlar 

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