Traditional and new images in uzbek and karakalpak poetry

Science and Education in Karakalpakstan. 2023 №1/2 ISSN 2181-9203 
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Pushkinning parvozin o‗rgatar emish...‖[6,35]
(Meaning: 
―Oh, repentance! 
Those who flew on Pushkin's wing 
Pushkin's flight instructor...‖) 
The status of a teacher is appreciated by the peoples of the East, but also in other countries. 
It doesn't matter what nationality or people he belongs to. In this sense, the grassy lines of the 
Russian poet Pushkin did not remain without influence on the creativity of the Turkic peoples. He 
charmed A.Oripov, I.Yusupov, Oybek, Shuhrat and many other poets, and this process continues. 
There are artists who are fascinated by Pushkin's creative flight, inspired by him, and learn from 
him, who always bow before Pushkin's personality and image. So, the poet first of all trained 
himself to reach this height. He constantly researched himself and, if necessary, kept his talent like 
the apple of his eye. It cannot be denied. B.Genjemurad was able to absorb the burden, content, and 
idea of a great epic work or essay in this short line. The density of metaphors used in it opened a 
wide way for the creator to express his idea in a very beautiful way.
The deepening of the elements of image and literary image in poetry dates back to the 
beginning of the 20th century, that is, to the time when the First World War took place. In it, the 
mood of the crowd striving to save their lives in the hustle and bustle of social life was expressed in 
this form in bright colors. This feature can also be seen in Cholpon‘s lyrics. So, it turns out that 
imagery is the most important, the only method that neither time nor years can affect. The most 
common images in B. Genjemurad‘s work are: 
Island, desert, desert, saxophone, river, mountain, bush, reed, torgai, shamshir, field, dutor. 
In these images, the inner experiences of the poet come to the surface with the help of metaphors, 
which it is not difficult to feel in the heart and imagine in front of your eyes during the reading 
process. Since modernism is a direction that connects visual art with the art of words, the poet 
thickens the colors as in the painting: 
Cho‗llarga qarayman... Karvon ko‗rinmas, 
Tog‗larga qarayman... Qo‗rg‗on ko‗rinmas, 
Yolg‗iz darveshdirman – armonlarim es, 
Etik bilan suv kechdim – oyog‗imda muz.[6,65] 
The image of the desert occupies the main place in the poet‘s experience. That is, the fact 
that he lived and created in the lower Amudarya delta allows the artist to express this mood in his 
own way. The tragedy of the island is a tragedy for humanity not only in the 20th century, but also 
today. In the world community, the depletion of the Aral Sea hinders the conduct of scientific 
research. As the poet develops this tragedy in the style of ―I look at the deserts - no caravan is 
visible‖, he is tormented by the question of what is the real factor of the destruction that shook the 
entire humanity. ―The caravan is invisible" is also a compound that carries a symbolic meaning. 
Loneliness tormented the poet so much that as a result he got ice on his feet. In this place, the 
method of antithesis is effectively used.