When Koguryo ruled East Asia



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Honamri Sashinchong

Elevation and plan

Honamri Sashinchong

Early 6th century, Seongmun-ri, Samseok Area,

Pyeongyang

Ancient tombs of the Koguryo Kingdom are scattered

over this area, and Honamri Sashinchong is the largest of

them. The tomb, comprised of a main chamber and

corridor, is made of marble. Murals were painted onto the

surface of the marble. In the murals, instead of figures and

life scenes, Four Directional Deities including blue

dragon, white tiger, red phoenix and black warrior are

depicted. This marks an important turning point in the

history of the Koguryo murals.    

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12. Honamri Sashin Tomb 



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Ⅰ. Representative Mural Paintings 



Blue dragon 

_ East wall in the main chamber

The blue dragon depicted on the wall turns its head backward to look at

its tale. While most of the blue dragons of the late Koguryo period have

two horns, this dragon has one horn, which was the tradition in the 5th

century.  

White tiger  

�West wall in the main chamber

Red phoenix

�West side of the south wall in the main chamber

Red phoenix

�East side of the south wall in the main chamber

Black warrior  

�North wall in the main chamber




Jinpari Tomb No. 4

Jinpari Tomb No. 4

6th century, Yongsan-ri, Yeokpo Area, Pyeongyang

This tomb is the largest among the ancient tombs

scattered on the hill of Mt. Jaeryeong, located southeast of

the city of Pyeongyang. It is situated behind the tomb of

King Dongmyeong. The tomb consists of a main chamber

and a corridor. Murals were painted on plastered stones.

The murals of the main chamber show the Four

Directional Deities, the sun, the moon and Taoist

immortals. On the ceiling are depicted decorative designs,

including lotus flowers, honey suckles and constellations.

The corridor has paintings of a pond surrounded by trees

and rock cliffs, which appear to be more sophisticated than

those of the 5th century. Considering that the tomb is

located near King Dongmyeong's tomb, the tomb occupant

is believed to be one of royal family members. 

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13. Jinpari Tomb No. 4



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56

Ⅰ. Representative Mural Paintings 



Ceiling Paintings 

_ South and north corners of the tomb ceiling

On the supporting section of the ceiling lotus flowers in full bloom and

honeysuckle vine patterns are painted.

Trees and oddly shaped

rocks 


_ East wall of the corridor

The corridor wall displays hills with rocks

of unusual shapes and tall trees. They are

more naturally done compared with the

schematic depictions of the same subjects

in 5th century murals.

Lotus flower design 

_ Ceiling of the main chamber

A lotus flower with eight petals is

surrounded by honeysuckle leaves. The

fast curves used in the depiction of the

honeysuckle leaves convey a sense of

lively movement.

Elevation and plan




58

Jinpari Tomb No. 1

Jinpari Tomb No. 1

Second half of the 6th century

Yongsan-ri, Yeokpo Area, Pyeongyang

This tomb is located in the same area as Jinpari Tomb

No. 4. The tomb consists of a main chamber and a corridor.

Its mound is huge measuring 30m on one side, and 7m in

height. The murals in the main chamber show the Four

Directional  Deities,  flying clouds, and a honeysuckle

pattern. On its ceiling are painted with lotus flowers

surrounded by  the sun, the moon and honeysuckles. The

corridor has depictions of guardian figures. The description

of the trees in this tomb is significant in that it shows the

most sophisticated and realistic depiction of the subject

found in the Koguryo tombs. The tomb occupant is

believed to be Goheul, a General in Koguryo. 

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14. Jinpari Tomb No. 1



59

Ⅰ. Representative Mural Paintings 

South entrance and ceiling of the main chamber

Ceiling painting

_  South ceiling of the main chamber

Bird above clouds

_  East wall of the main chamber

Blue dragon 

_  East wall of the main chamber

A blue dragon occupies the center of the mural. The background is filled with clouds and honeysuckle designs. With

its head held up, the dragon shows a fine stride. The long, supple body and wavy tale of this mythical animal

emphasizes the rhythmic movement in its descent from the heaven.

Elevation and plan

Drawing two phoenixes 

on the south wall of the main chamber



14. Jinpari Tomb No. 1

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60



Ⅰ. Representative Mural Paintings 

Pine tree on the east side of the north wall of the main chamber

Pine trees 

_ West side of the north wall of the main chamber

On either side of the black warrior depicted on the north wall are representations of pine trees. They are one of the

most notable depictions of trees in the Koguryo tombs. The bigger branches rendered in graceful curves, the small

branches in undulating lines, and the green heap of pine needles all show the advanced skills of the Koguryo artisans.



Gangseo Daemyo

Elevation and plan

Gangseo Daemyo

Second half of 6th century~early half of 7th century,

Sammyo-ri, Gangseo Area, Nampo

Gangseo Daemyo is the largest among the three tombs

found in Sammyo-ri. The tomb has excellent examples of

wall painting of the late Koguryo period. The mound was

built with lime and mud, whereas the coffin chamber was

made of granite.

Murals were drawn directly onto the stone surfaces.

On the ceiling are paintings of auspicious animals,

immortals, flying celestial beings, lotus flowers,

honeysuckle vines, and clouds. On the walls of the main

chamber are depicted Four Directional Deities (blue

dragon, white tiger, red phoenix, and black warrior).

These paintings are combinations of creative imagination

and powerful brushstrokes. They are considered the

masterpieces in the Koguryo tomb murals.

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15. Gangseo Daemyo



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Ⅰ. Representative Mural Paintings 



Black warrior 

_ North wall of the main chamber

In this painting of a black warrior, the snake and tortoise are combined in perfect harmony. The snake winds the body of the turtle with its

long body. The head of the snake intersects with its tail and looks at the tortoise, whose head is turned back toward that of the snake. 

White tiger 

_ West wall of the main chamber

This painting of a white tiger is notable for the solemn and courageous

appearance of the beast. Also, the flowing lines used for the depiction of the

tiger are remarkable.

Ceiling painting 

_ West ceiling of the main chamber

Celestial figures and animals, mountains and clouds, and honeysuckle vines are

depicted in fluent lines.

Drawing of the main chamber




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