Honamri Sashinchong
Elevation and plan
Honamri Sashinchong
Early 6th century, Seongmun-ri, Samseok Area,
Pyeongyang
Ancient tombs of the Koguryo Kingdom are scattered
over this area, and Honamri Sashinchong is the largest of
them. The tomb, comprised of a main chamber and
corridor, is made of marble. Murals were painted onto the
surface of the marble. In the murals, instead of figures and
life scenes, Four Directional Deities including blue
dragon, white tiger, red phoenix and black warrior are
depicted. This marks an important turning point in the
history of the Koguryo murals.
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12. Honamri Sashin Tomb
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Ⅰ. Representative Mural Paintings
Blue dragon
_ East wall in the main chamber
The blue dragon depicted on the wall turns its head backward to look at
its tale. While most of the blue dragons of the late Koguryo period have
two horns, this dragon has one horn, which was the tradition in the 5th
century.
White tiger
�West wall in the main chamber
Red phoenix
�West side of the south wall in the main chamber
Red phoenix
�East side of the south wall in the main chamber
Black warrior
�North wall in the main chamber
Jinpari Tomb No. 4
Jinpari Tomb No. 4
6th century, Yongsan-ri, Yeokpo Area, Pyeongyang
This tomb is the largest among the ancient tombs
scattered on the hill of Mt. Jaeryeong, located southeast of
the city of Pyeongyang. It is situated behind the tomb of
King Dongmyeong. The tomb consists of a main chamber
and a corridor. Murals were painted on plastered stones.
The murals of the main chamber show the Four
Directional Deities, the sun, the moon and Taoist
immortals. On the ceiling are depicted decorative designs,
including lotus flowers, honey suckles and constellations.
The corridor has paintings of a pond surrounded by trees
and rock cliffs, which appear to be more sophisticated than
those of the 5th century. Considering that the tomb is
located near King Dongmyeong's tomb, the tomb occupant
is believed to be one of royal family members.
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13. Jinpari Tomb No. 4
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Ⅰ. Representative Mural Paintings
Ceiling Paintings
_ South and north corners of the tomb ceiling
On the supporting section of the ceiling lotus flowers in full bloom and
honeysuckle vine patterns are painted.
Trees and oddly shaped
rocks
_ East wall of the corridor
The corridor wall displays hills with rocks
of unusual shapes and tall trees. They are
more naturally done compared with the
schematic depictions of the same subjects
in 5th century murals.
Lotus flower design
_ Ceiling of the main chamber
A lotus flower with eight petals is
surrounded by honeysuckle leaves. The
fast curves used in the depiction of the
honeysuckle leaves convey a sense of
lively movement.
Elevation and plan
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Jinpari Tomb No. 1
Jinpari Tomb No. 1
Second half of the 6th century
Yongsan-ri, Yeokpo Area, Pyeongyang
This tomb is located in the same area as Jinpari Tomb
No. 4. The tomb consists of a main chamber and a corridor.
Its mound is huge measuring 30m on one side, and 7m in
height. The murals in the main chamber show the Four
Directional Deities, flying clouds, and a honeysuckle
pattern. On its ceiling are painted with lotus flowers
surrounded by the sun, the moon and honeysuckles. The
corridor has depictions of guardian figures. The description
of the trees in this tomb is significant in that it shows the
most sophisticated and realistic depiction of the subject
found in the Koguryo tombs. The tomb occupant is
believed to be Goheul, a General in Koguryo.
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14. Jinpari Tomb No. 1
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Ⅰ. Representative Mural Paintings
South entrance and ceiling of the main chamber
Ceiling painting
_ South ceiling of the main chamber
Bird above clouds
_ East wall of the main chamber
Blue dragon
_ East wall of the main chamber
A blue dragon occupies the center of the mural. The background is filled with clouds and honeysuckle designs. With
its head held up, the dragon shows a fine stride. The long, supple body and wavy tale of this mythical animal
emphasizes the rhythmic movement in its descent from the heaven.
Elevation and plan
Drawing two phoenixes
on the south wall of the main chamber
14. Jinpari Tomb No. 1
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60
Ⅰ. Representative Mural Paintings
Pine tree on the east side of the north wall of the main chamber
Pine trees
_ West side of the north wall of the main chamber
On either side of the black warrior depicted on the north wall are representations of pine trees. They are one of the
most notable depictions of trees in the Koguryo tombs. The bigger branches rendered in graceful curves, the small
branches in undulating lines, and the green heap of pine needles all show the advanced skills of the Koguryo artisans.
Gangseo Daemyo
Elevation and plan
Gangseo Daemyo
Second half of 6th century~early half of 7th century,
Sammyo-ri, Gangseo Area, Nampo
Gangseo Daemyo is the largest among the three tombs
found in Sammyo-ri. The tomb has excellent examples of
wall painting of the late Koguryo period. The mound was
built with lime and mud, whereas the coffin chamber was
made of granite.
Murals were drawn directly onto the stone surfaces.
On the ceiling are paintings of auspicious animals,
immortals, flying celestial beings, lotus flowers,
honeysuckle vines, and clouds. On the walls of the main
chamber are depicted Four Directional Deities (blue
dragon, white tiger, red phoenix, and black warrior).
These paintings are combinations of creative imagination
and powerful brushstrokes. They are considered the
masterpieces in the Koguryo tomb murals.
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15. Gangseo Daemyo
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Ⅰ. Representative Mural Paintings
Black warrior
_ North wall of the main chamber
In this painting of a black warrior, the snake and tortoise are combined in perfect harmony. The snake winds the body of the turtle with its
long body. The head of the snake intersects with its tail and looks at the tortoise, whose head is turned back toward that of the snake.
White tiger
_ West wall of the main chamber
This painting of a white tiger is notable for the solemn and courageous
appearance of the beast. Also, the flowing lines used for the depiction of the
tiger are remarkable.
Ceiling painting
_ West ceiling of the main chamber
Celestial figures and animals, mountains and clouds, and honeysuckle vines are
depicted in fluent lines.
Drawing of the main chamber
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