When Koguryo ruled East Asia



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7. Ssangyeongchong

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Ⅰ. Representative Mural Paintings  

Lotus flower and heavenly world 

_ Ceiling of the main chamber

A fully bloomed lotus flower is depicted  in the center of the lantern ceiling. The pointed ends of the lotus petals appear archaic and decorative, and rhythmic patterns

of clouds and flames surrounding the flower give a sense of vitality and liveliness. A similar motif of lotus flower with decorative patterns is depicted on the ceiling

of the antechamber of the same tomb, but here are added the sun symbol containing a mythical crow with three legs, and a moon disc with a toad inside.

West ceiling of 

the main chamber

Ceiling of 

the antechamber




7. Ssangyeongchong

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Ⅰ. Representative Mural Paintings  

Interior scene with the portrait of the

deceased couple

_ North wall of the main chamber

On the north wall of the main chamber, there is a portrait of

a couple, probably the deceased master and his wife, seated

together under sumptuous curtains. The wooden structure of

the building above the curtains frames the scenes of the

indoor life of the tomb occupants. On either side of the

couple is a pair of black warriors. This combination of the

portrait of the tomb occupants and the black warriors is also

found in Yaksuri Tomb. Generally speaking, the murals in

this tomb look more advanced in terms of descriptive

techniques compared with those of the previous era.

Ceremonial procession 

_ East wall of the main chamber

Though much damaged, one can see the

murals better in the photograph taken in

earlier days. On the left side of the

procession, a maid holding a tall incense

burner on her head, is leading the group.

She is followed by a Buddhist monk in a

heavy robe, another maid, and a lady, who

is one of the tomb occupants, wearing a

black coat and a pleated skirt. The

painting shows an aspect the religious life

of the Koguryo people and the costumes

of Koguryo ladies. 

Procession scene before the damage 

Flowers in a vase, detail on the upper left side

of the north wall of the main chamber



Susanri Tomb 

Susanri Tomb

Second half of the 5th century, Susan-ri, 

Gangseo area, Nampo

Susanri Tomb was discovered rather recently in 1971.

It is a one-chamber structure with a corridor. Murals

were painted on the wall and ceiling of the main

chamber. Door guards are depicted on the walls of the

corridor. The importance of these murals lie in the fact

that the figure paintings in procession display a powerful

yet simple rendering in their costumes and posture. The

detailed description of the elegant costumes of the female

figures with pleated colorful skirts, in particular, is

similar to the ladies depicted in the late 7th century

Takamatsu tomb in Japan. Their affinities suggest

cultural exchanges between Koguryo and Asuka Japan in

the 6th and 7th centuries

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Two female attendants



_ West wall of the main chamber 

It is the most beautiful depiction of female figures

among the tomb murals of Koguryo. Their facial make-

up and fashionable hairdos, as well as their elegant

appearances with long jackets and pleated skirts show

the sophisticated taste of the Koguryo ladies. The

painting shows that figure paintings were highly

advanced during this period.

Wife of the deceased master

_ West wall of the main chamber

The lady under a large parasol appears self-assured. She

wears a red-hemmed jacket and a colorful pleated skirt.

The details of her make-up with blush on her face make

the figure look lively. 

8. Susanri Tomb

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Ⅰ. Representative Mural Paintings  

Figures painted near the corners 

of the west and north walls of the main chamber.   

Elevation and plan 




Ⅰ. Representative Mural Paintings  

Procession 

_ West wall of the main chamber

A group of people, including the deceased couple, lead the procession  with their attendants following in an orderly

manner. This scene is different from the magnificent procession scene guarded by soldiers depicted in other tomb

murals. Here, the atmosphere is casual and playful. The acrobats especially, performing in front of the procession

create a delightful mood. They perform various tricks including pole walking, ball rolling, and rolling and throwing

wheels. The scene probably embodies a wish of the Koguryo people for a joyful afterlife.

Drawing of the procession

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Anak Tomb No. 2 

Anak Tomb No. 2 

Late 5th century~early 6th century, Daechu-ri, Anak-

gun, South Hwanghae Province 

Situated behind Anak Tomb No. 1, the tomb consists of

one main chamber and a corridor. The main chamber has

a small niche on its east wall and a lantern ceiling. In the

main chamber, two guardians are painted on either side of

the entrance, and the tomb occupant and his attendants,

apsaras and three ladies scattering lotus flowers, a

procession of ladies and children are depicted on the rest

of the walls. These murals display a notably Buddhist

theme. On either side of the corridor are painted soldiers,

holding spears and standing in line. The depiction of

brackets over columns and inverted V-shaped brackets

decorate the upper parts of the walls. With lotus flowers,

clouds and flames, and scroll patterns, the interior of the

tomb turn into an ideal resting place. Furthermore, the use

of various colors of red, blue, green and yellow in

addition to black make the murals look rich and colorful.

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9. Anak Tomb No. 2 



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Ⅰ. Representative Mural Paintings  

Ceiling painting

_ North side of the main chamber 

The structure of the lantern ceiling offers many

triangular and quadrangle surfaces for

decorations. Sumptuous designs of scroll

patterns, wheel-shape roundels, and various

lotus flower designs are painted all over the

ceiling, including its top central stone.



Apsaras

_ East wall of the main chamber 

Three ladies stand in the lower right side of the wall, each holding a stem of lotus flowers. Two apsaras flying above also hold offering

plates full of lotus flowers in their hands, and their flying scarfs give a sense of fast movement. This depiction of the elegant celestial

beings is the best of all the apsaras found in the Koguryo murals. And from the murals, one can sense devoted Buddhist faith.

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Elevation and plan



Drawing of mural paintings 

on the south wall




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