7. Ssangyeongchong
37
36
Ⅰ. Representative Mural Paintings
Lotus flower and heavenly world
_ Ceiling of the main chamber
A fully bloomed lotus flower is depicted in the center of the lantern ceiling. The pointed ends of the lotus petals appear archaic and decorative, and rhythmic patterns
of clouds and flames surrounding the flower give a sense of vitality and liveliness. A similar motif of lotus flower with decorative patterns is depicted on the ceiling
of the antechamber of the same tomb, but here are added the sun symbol containing a mythical crow with three legs, and a moon disc with a toad inside.
West ceiling of
the main chamber
Ceiling of
the antechamber
7. Ssangyeongchong
39
38
Ⅰ. Representative Mural Paintings
Interior scene with the portrait of the
deceased couple
_ North wall of the main chamber
On the north wall of the main chamber, there is a portrait of
a couple, probably the deceased master and his wife, seated
together under sumptuous curtains. The wooden structure of
the building above the curtains frames the scenes of the
indoor life of the tomb occupants. On either side of the
couple is a pair of black warriors. This combination of the
portrait of the tomb occupants and the black warriors is also
found in Yaksuri Tomb. Generally speaking, the murals in
this tomb look more advanced in terms of descriptive
techniques compared with those of the previous era.
Ceremonial procession
_ East wall of the main chamber
Though much damaged, one can see the
murals better in the photograph taken in
earlier days. On the left side of the
procession, a maid holding a tall incense
burner on her head, is leading the group.
She is followed by a Buddhist monk in a
heavy robe, another maid, and a lady, who
is one of the tomb occupants, wearing a
black coat and a pleated skirt. The
painting shows an aspect the religious life
of the Koguryo people and the costumes
of Koguryo ladies.
Procession scene before the damage
Flowers in a vase, detail on the upper left side
of the north wall of the main chamber
Susanri Tomb
Susanri Tomb
Second half of the 5th century, Susan-ri,
Gangseo area, Nampo
Susanri Tomb was discovered rather recently in 1971.
It is a one-chamber structure with a corridor. Murals
were painted on the wall and ceiling of the main
chamber. Door guards are depicted on the walls of the
corridor. The importance of these murals lie in the fact
that the figure paintings in procession display a powerful
yet simple rendering in their costumes and posture. The
detailed description of the elegant costumes of the female
figures with pleated colorful skirts, in particular, is
similar to the ladies depicted in the late 7th century
Takamatsu tomb in Japan. Their affinities suggest
cultural exchanges between Koguryo and Asuka Japan in
the 6th and 7th centuries
8
Two female attendants
_ West wall of the main chamber
It is the most beautiful depiction of female figures
among the tomb murals of Koguryo. Their facial make-
up and fashionable hairdos, as well as their elegant
appearances with long jackets and pleated skirts show
the sophisticated taste of the Koguryo ladies. The
painting shows that figure paintings were highly
advanced during this period.
Wife of the deceased master
_ West wall of the main chamber
The lady under a large parasol appears self-assured. She
wears a red-hemmed jacket and a colorful pleated skirt.
The details of her make-up with blush on her face make
the figure look lively.
8. Susanri Tomb
41
40
Ⅰ. Representative Mural Paintings
Figures painted near the corners
of the west and north walls of the main chamber.
Elevation and plan
Ⅰ. Representative Mural Paintings
Procession
_ West wall of the main chamber
A group of people, including the deceased couple, lead the procession with their attendants following in an orderly
manner. This scene is different from the magnificent procession scene guarded by soldiers depicted in other tomb
murals. Here, the atmosphere is casual and playful. The acrobats especially, performing in front of the procession
create a delightful mood. They perform various tricks including pole walking, ball rolling, and rolling and throwing
wheels. The scene probably embodies a wish of the Koguryo people for a joyful afterlife.
Drawing of the procession
43
42
Anak Tomb No. 2
Anak Tomb No. 2
Late 5th century~early 6th century, Daechu-ri, Anak-
gun, South Hwanghae Province
Situated behind Anak Tomb No. 1, the tomb consists of
one main chamber and a corridor. The main chamber has
a small niche on its east wall and a lantern ceiling. In the
main chamber, two guardians are painted on either side of
the entrance, and the tomb occupant and his attendants,
apsaras and three ladies scattering lotus flowers, a
procession of ladies and children are depicted on the rest
of the walls. These murals display a notably Buddhist
theme. On either side of the corridor are painted soldiers,
holding spears and standing in line. The depiction of
brackets over columns and inverted V-shaped brackets
decorate the upper parts of the walls. With lotus flowers,
clouds and flames, and scroll patterns, the interior of the
tomb turn into an ideal resting place. Furthermore, the use
of various colors of red, blue, green and yellow in
addition to black make the murals look rich and colorful.
9
9. Anak Tomb No. 2
45
Ⅰ. Representative Mural Paintings
Ceiling painting
_ North side of the main chamber
The structure of the lantern ceiling offers many
triangular and quadrangle surfaces for
decorations. Sumptuous designs of scroll
patterns, wheel-shape roundels, and various
lotus flower designs are painted all over the
ceiling, including its top central stone.
Apsaras
_ East wall of the main chamber
Three ladies stand in the lower right side of the wall, each holding a stem of lotus flowers. Two apsaras flying above also hold offering
plates full of lotus flowers in their hands, and their flying scarfs give a sense of fast movement. This depiction of the elegant celestial
beings is the best of all the apsaras found in the Koguryo murals. And from the murals, one can sense devoted Buddhist faith.
44
Elevation and plan
Drawing of mural paintings
on the south wall
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