#237 22 february 2016
Yüklə 289,86 Kb. Pdf görüntüsü
|
- Bu səhifədəki naviqasiya:
- Auctions results from Artprice.com
- shower of records for artcurial “ur- ban art” sales
- announcement sale of pierre Hebey’s col- lection at artcurial
- resuLts 2016, a good year for rodin in auc- tion rooms
- arteba celebrates its 25 th anni- versary in 2016
- incoming the european festival circu- lation(s), for young photography, from 26 march to 26 june 2016
- announcement the contemporary afri- can art fair 1:54 unveils its list of exhibitors
- announcement reed expositions announces the end of paris photo Los angeles and renounces setting up the fiac in La
Art Analytics Data •
léon spilliaert At auctions, the works of Léon Spilliaert have yielded $18.4 million in 856 lots, in other words an average price of $21,476 per lot placed on sale and $13,980 per lot sold. The artist’s unsold rate is high (33 %) – a phenomenon that has in- tensified since the start of the 2000s (an average of 42 % over the period 2000 - 2015). In 2003, out of 39 lots placed on sale, 24 were withdrawn from sale. The record price for a work by Léon Spilliaert sold on auction was reached by De Vuyst in Loke- ren (Belgium) in October 2015, with Self-Portrait, 3 November 1908 (1908), going for $665,100. A few months earlier, in June 2015, Sotheby’s Paris sold a watercolour, The Absinthe Drinker (1907) for $440,800. The artist’s third-best auction sale was also concluded at Sotheby’s Paris, in June 2013, with Dike, Ostende, Light Reflects (1908), sold for $392,430. Unsurprisingly, the artist’s drawings and waterco- lours are his most sought-after works. His most lucrative period is the intense creative phase taking place between 1906 and 1910, a time at which Léon Spilliaert was violently distressed and deeply nourished by Symbolist ideas. The self-portraits produced over this period include his most famous ones — those that are the most in demand. 0 % 25 %
50 % 75 %
100 % 1987 1989 1991 1993 1995 1997 1999 2001 2003 2005 2007 2009 2011 2013 2015 sold bought in 33 % 67 %
sold bought in 5 % 8 %
87 % Drawing
Multiples Painting
6 % 93 %
6 % 9 %
11 % 72 %
Belgium T e Netherlands France United Kingdom other 17 %
20 % 11 %
51 % 33 %
10 % 10 %
18 % 30 %
De Vuyst Campo
Christie’s Sotheby’s other 22 %
24 % 20 %
12 % 23 %
Distribution of lots by medium and revenue Distribution of lots by country and revenue Rate of sold lots vs. bought-ins Distribution of lots and revenue by auction house Evolution of unsold rate 25 This document is for the exclusive use of Art Media Agency’s clients. Do not distribute. Subscribe for free.
237 • 22 february 2016
Art Analytics Data •
léon spilliaert $0 $1m $2m $3m
1987 1989 1991 1993 1995 1997 1999 2001 2003 2005 2007 2009 2011 2013 2015 $0 $20k $40k $60k
1987 1989 1991 1993 1995 1997 1999 2001 2003 2005 2007 2009 2011 2013 2015 0 20 40 60 80 1987 1989 1991 1993 1995 1997 1999 2001 2003 2005 2007 2009 2011 2013 2015 > $100k
$50-100k $20-50k
$10-20k $5-10k
< $5k 0 %
25 % 50 %
75 % 100 %
sold bought in > $100k $50-100k
$20-50k $10-20k
$5-10k < $5k $0 $1m $2m $3m
$4m $5m
84 35 21 163 167
259 Rate of unsold lots by estimates range Turnover and number of lots by price range Evolution of the number of lots Evolution of the yearly turnover
Evolution of the average value per lot
237 • 22 february 2016
Art Analytics Data •
léon spilliaert Léon Spilliaert‘s popularity is stable. Could the significant unsold rate of the artist’s works at auctions cause auction houses to undervalue him? 33 % of his works have sold over their high estimates. Only the auction De Vuyst seems to slightly overvalue Léon Spilliaert (46 % of lots sold below their low estimates). De Vuyst
Campo Christie’s Sotheby’s 21 %
36 % 40 %
21 % 61 %
40 % 39 %
34 % 18 %
24 % 21 %
46 % $0 $0.5m $1m $1.5m
$2m 0 20 40 60 80 1900 1903 1906 1909 1912 1915 1918 1921 1924 1927 1930 1933 1936 1939 1942 1945 lots
turnover 33 %
41 % 26 %
At the moment, Léon Spilliaert’s works are visible at the Museum Kranenburgh in Bergen (Norway), at the exhibition “Silence out loud”, open until 12 June 2016.
Art Media Agency (AMA) is published by the A&F Markets company, Limited company with a registered capital of €40,000, incorporated in the Company and Trade Register of Paris under the n°530 512 788. 267 rue Lecourbe, F-75015 Paris, France.
Pierre Naquin chief editor:
Clément Thibault cppap:
0116 W 92159 contact:
+33 (0) 1 75 43 67 20 distribution:
170,000+ subscribers Number of lots presented, and sales figures by year of creation Percentage of works sold below, within, and above estimates Percentage of works sold below, within, and above estimates per auction house 27 This document is for the exclusive use of Art Media Agency’s clients. Do not distribute. Subscribe for free.
237 • 22 february 2016
resuLts shower of records for artcurial “ur- ban art” sales t he “Urban Art” sale on 14 February 2015 in Pa- ris was marked by a shower of records, adjudi- cated by the licensed auctioneer Artcurial. 600 collectors and urban-art lovers gathered for the occasion. The sale raised a total of $1,567,050 (€1,386,770) with 82% of lots sold. A new world record was set for a work by artist Speedy Graphi- to, Captain Spray, selling for €37,700 ($42,601). Ditto for Toxic’s Ach, selling at $29,380. Ten other records were set for artists in this category. Director of the Urban Art department of Artcu- rial, Arnaud Oliveux, expressed his satisfaction with this success: “This tenth session on urban art was a lively celebration of this movement, today recognised internationally. There is wide interest in historic graffiti as well as in the contemporary scene. The new records set this evening confirm Artcurial as a reference spot for urban art.”
a rtcurial is organising, on 22 and 23 February 2016, a sale called “Le regard de Pierre Hebey - Les Passions modérées”. The sale is divided into four chapters: decora- tive arts, books and manuscripts, modern and contemporary paintings, and French 19 th century bronzes. The collection is estimated at being wor- th between 6 and 8 million dollars. Pierre Hebey, a former lawyer specialising in intellectual pro- perty, defended many artists with whom he be- came close, including Max Ernst, Jean Tinguely, Niki de Saint Phalle, Bram Van Velde, Chagall and Alechinsky. As of the 2000s, Pierre Hebey devoted himself to writing. This sale, offering around sixty works for sale, will also be the opportunity to retrace the itinerary of this atypical collector and his collection gathered via his contact with major 20 th century artists. resuLts 2016, a good year for rodin in auc- tion rooms? o n 16 February 2016, at Drouot (Paris), auc- tioneers Binoche et Giquello dispersed around fifteen lots from the collection of former gallerist Jean de Ruaz. The collection namely in- cluded five Rodin bronzes. An American buyer acquired the sale’s two major lots: a
Baiser “the size of a door”, cast by Alexis Rudier, going for €2.2 million, expenses included, and L'Éternel Printemps, cast between 1935 and 1945 by Alexis Rudier, for €693,000. Out of the five Rodin lots, four sold for over their high esti- mates. The sale also featured furniture pieces by Paul Iribe, including a Fauteuil Nautile, estimated as being worth between €100,000 and 120,000, purchased by a buyer from the Middle East for €226,800, expenses included. These pleasing results are not just one-offs. On 3 February 2016, Sotheby's sold Iris, Messagère des Dieux in London for £11.6 million, expenses included (€15.3 million) — a record for a Rodin work and one of the two last bronzes cast during the artist’s life to still be on the market. Then on 4 February, it was Bonhams that sold a version of L'Éternel Printemps, cast between 1905 and 1907 by caster Barbedienne, for £938,500 (€1.21 mil- lion). auctions
Hr melanie clore, chairman of sotheby's europe, steps down Art in 2000, and chairman of the Europe zone in 2011. Her trajectory led her to become the first woman auctioneer to take charge of a sale in 2000 and to be appointed as trustee of the Tate Gallery by Tony Blair in 2004. Her departure is possibly prompted by a voluntary redundancy plan in place at Sotheby's since the end of 2015, instigated by Tad Smith. An alle- gation that Melanie Clore refuses to confirm. m elanie Clore, chairman of Sotheby's Europe and worldwide co-chairman of Impressio- nist and Modern Art, is leaving Sotheby’s after 35 years with the auction house. tHer career began in 1981 as an intern. She then climbed up the ranks until she became vice-chairman of the Impressionist and Modern Carouge (1967) Bram van Velde Hebey's Collection © Artcurial Meuble de collectionneur (circa 1937) Eugène Printz Hebey's Collection © Artcurial 28 This document is for the exclusive use of Art Media Agency’s clients. Do not distribute. Subscribe for free.
237 • 22 february 2016
birtHday arteba celebrates its 25 th anni- versary in 2016 t o mark its 25 th birthday, the arteBA fair (Bue- nos Aires) will be held at La Rural convention centre, from 19 to 22 May 2016. In the context of the Dixit section, we will be (re) discovering three winners of the Young Cura- tors section — Federico Baeza, Lara Marmor and Sebastián Vidal Mackinson — who will be putting forward a curatorial project covering the last 25 years in Argentinean artistic creation. This year, the selection committee will include Mercedes Casanegra (curator), Orly Benzacar (director of the gallery Ruth Benzacar), Eduar- do Brandão (director of the gallery Vermelho), Ignacio Liprandi (director of Ignacio Liprandi Arte Contemporáneo) and Sabine Schmidt (di- rector of PSM).
t he Circulation(s) festival will be taking place at the Centquatre in Paris, from 26 March to 26 June 2016, in the presence of Agnès b., god- mother of the 2016 edition. Circulation(s), a European festival for young photography is back for the sixth consecutive year for a three-month duration. The festival’s ambition is to promote the emergence of young photography artists while offering a series of cross perspectives on Europe today. The pro- gramming will draw together a guest jury, gal- lery and school, as well as a child-high section, “Little Circulation(s)” including a series of activi- ties for young attendees. The exhibition will gather some 51 European photographers, with the hope of reproducing the success of the 2015 edition. announcement the contemporary afri- can art fair 1:54 unveils its list of exhibitors F or its second year in America, the fair 1:54 will be taking place in New York. It will be gathering 70 galleries, 25 countries, and a se- lection of works by sixty or so artists including Derrick Adam, Joël Andrianomearisoa, Edson Chagas, William Kentridge, Otobong Nkanga and Billie Zangewa. The fair will be opening at the Pioneer Works in Red Hook, Brooklyn from 6 to 8 May. The coun- tries represented include Angola, Burkina Faso, Ethiopia, the Democratic Republic of Congo, Mozambique, Sierra Leone and Zimbabwe. Fair director Touria El Glaoui said the following: “The energy, interest, and overall success of the inaugural US fair in 2015 has led us to return this May in hopes of broadening our reach and ex- panding the art world's knowledge of Africa and the ever-evolving African art market.” fairs & festivals announcement reed expositions announces the end of paris photo Los angeles and renounces setting up the fiac in La Compain, head of the culture, luxury and entertainment division at Reed Expo- sitions France, by the “lack of the market’s maturity” that fails to offer adequate guarantees for exhibitors. He nonetheless reassures that alternatives are being explored for the international development of Reed Expositions’ fairs. Paris Photo will be taking place from 10 to 13 November this year at the Grand Palais, and will be celebrating its 20 th edition. t he Paris Photo Los Angeles fair, initially sche- duled to run from 29 April to 1 May 2016, has been cancelled despite the popular success of its previous editions. The project to set up the FIAC in Los Angeles has also been abandoned. This withdrawal has been explained by Jean-Daniel Camille Sonally Courtesy of Festival Circulation(s) Pàtric Marin Courtesy of Festival Circulation(s)
237 • 22 february 2016 Yüklə 289,86 Kb. Dostları ilə paylaş:
|