© 2007 Bull. Georg. Natl. Acad. Sci.
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BULLETIN OF THE GEORGIAN NATIONAL ACADEMY OF SCIENCES, 175,
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All this is true for the palimpsest codex Vind. 2
housed in the Austrian National Library in Vienna, which
is an outstanding monument of Old Georgian indeed.
Most of what has been known so far about the Vienna
palimpsest
1
was worked out in the early 1970’s by John
Neville Birdsall who published the first editions of three
of the underlying manuscripts, one containing fragments
of the Gospels, one, fragments of the (apocryphal) Old
Testament book of Esdras Zorobabel, and one, a major
part (eight chapters) of the Protevangelium of James, all
of these texts pertaining to the “Khanmeti” period (Vth–
VIIth cc.)
2
. As Birdsall observed, the palimpsest com-
prises several other original manuscripts, representing
at least 12 different hands of different age; among them
there are at least three further Khanmeti fragments and
seven other manuscripts written in Old Georgian majus-
cules, the so-called Asomtavruli script
3
. Only two of
these fragments have since been published; they con-
tain parts of the treatise on Measures and Weights by
Epiphanius of Cyprus
4
and a Khanmeti version of the
legend of St. Christina
5
.
The plan to prepare a complete edition of the oldest
layer of the Vienna palimpsest, i.e., the Khanmeti and
Post-Khanmeti texts written in Asomtavruli script, was
developed in 1997 when the late Zurab Sarjveladze so-
History & Philology
The Application of Multispectral Imaging in the Study of
Caucasian Palimpsests
Jost Gippert
Frankfurt University, Germany (Chair, Institute of Comparative Linguistics)
ABSTRACT.
For the three ancient written languages of the Caucasus, Armenian, Georgian, and “Albanian”, the
first centuries of their literacy are still quite obscure as only very few manuscript remains from this period have
come down to us. As a matter of fact, most of the manuscripts of the Vth–VIIIth cc. were not preserved in their
primary state but as palimpsests, i.e., reused and overwritten after a more or less total erasure, and special tech-
niques are required to uncover and restore their original content.
© 2007 Bull. Georg. Natl. Acad. Sci.
Key words: palimpsest, manuscript, Caucasus.
1
The palimpsest originates from the Monastery of the
Holy Cross in Jerusalem; for details cf. the forthcoming edi-
tion (cf. note 12).
2
Cf. J.N. Birdsall, A second Georgian recension of the
Protoevangelium Jacobi, Le Muséon 83, 1970, pp. 49–72;
Khanmeti Fragments of the Synoptic Gospels from Ms. Vind.
Georg. 2, Oriens Christianus 55, 1971, pp. 62–89; Palimpsest
fragments of a Khanmeti Georgian version of I. Esdras, Le
Muséon 85, 1972, pp. 97–105.
3
Cf. J.N. Birdsall, A Georgian Palimpsest in Vienna, Oriens
Christianus 53, 1969, 108-112; MS Vindob. Georg. 2: a
progress report, Oriens Christianus 58, 1974, pp. 39–44; Jost
Gippert, Die georgische Palimpsesthandschrift Codex
Vindobonensis georgicus 2, Biblos. Beiträge zu Buch,
Bibliothek und Schrift 1–2, 2003, 31–46.
4
Cf. Michel Jean van Esbroeck (ed.), Les versions
géorgiens d’Épiphane de Chypre, Traité des poids et des
mesures, Lovanii 1984 [Édition / Traduction] (Corpus scrip-
torum christianorum orientalium, 460–461 / Scriptores iberici,
19–20), pp. 5–9 / 23–25.
5
Cf. Lamara KaJaia, C.m. Kris.tinas bamebis xanmeti teksti;
Gelatis mecnierebata a>ademiis žurnali / Journal of Gelati Acad-
emy of Sciences 3/2006, pp. 34–59.
The Application of Multispectral Imaging in the Study of Caucasian Palimpsests
169
Bull. Georg. Natl. Acad. Sci. Vol. 175, No1, 2007
journed as a visiting professor at the University of Frank-
furt and proposed to compile, as an extension of the
TITUS text data base
6
, an electronic corpus of Khanmeti
texts including the fragments contained in the Vienna
palimpsest. To achieve this, a set of ultraviolet nega-
tives of the corresponding pages was procured from the
Austrian National Library
7
, on the basis of a digitization
of these images, the three underlying manuscripts that
had been dealt with by Birdsall were re-read in total, and
one further manuscript (containing the legends of
Cyprianus and Christina), about halfway through. As a
result of the common work undertaken in 1997–8, a first
digital edition comprising the fragments named above
was published on the TITUS server in February, 1998
8
.
Unfortunately, Zurab Sarjveladze did not live to par-
ticipate in the continuation of this work, which was initi-
ated shortly after his untimely death in December, 2002.
In the course of a project devoted to the manuscript re-
mains of the Caucasian “Albanians”
9
, the idea was born
to apply the newly developed technology of multispec-
tral imaging in the analysis of palimpsests of Caucasian
provenance. This idea has been realised since 2004 when,
thanks to a generous grant by the Volkswagen Founda-
tion, a “MuSIS” camera system
10
could first be used to
cope with the bad readability of the Vienna codex and the
“Albanian” palimpsests of Mt. Sinai
11
. As the application
of this system meant a big step forward in the study of
these manuscripts, it may be appropriate to shortly de-
scribe its function here. The results of the investigations
facilitated by the new technique will be published in the
editions of the palimpsests which are to appear in 2007
12
.
6
The TITUS data base of electronic texts (University of
Frankfurt) comprises a large collection of Old and Middle
Georgian texts; cf. http://titus.uni-frankfurt.de/texte/
texte2.htm#georgant.
7
The same specimens of “excellent ultra-violet photogra-
phy” were also used by John Neville Birdsall in his work on the
Vienna palimpsest; cf. his articles Ms. Vind. Georg. 2... (cf. n. 3),
p. 39 and, before, A Georgian Palimpsest... (cf. n. 3), p. 108.
8
Cf. http://titus.fkidg1.uni-frankfurt.de/texte/etcc/cauc/
ageo/xanmeti/vienna/vienn.htm; the edition has steadily been
improved and extended since.
9
Cf. http://armazi.uni-frankfurt.de/armaz3.htm (part of
the project “ARMAZI: Fundamentals of an Electronic Docu-
mentation of Caucasian Languages and Cultures”).
10
The “MultiSpectral Imaging System” is a product of
Forth Photonics, Greece; cf. http://musis.forth-photonics.gr.
11
The project “Neue Wege zur wissenschaftlichen
Bearbeitung von Palimpsesthandschriften kaukasischer
Provenienz” has been funded by the Volkswagen Foundation since
12.12.2003; it is jointly run by Zaza Aleksi3e, Jost Gippert,
Jean-Pierre Mahé, Wolfgang Schulze, and Manana Tandaschwili.
12
The editions will be published in the series Monumenta
Palaeographica Medii Aevi, Series Iberica et Caucasica, as vol-
umes I and II; vol. I containing the edition of the Vienna codex
is currently in the press.
The main principle of multispectral imaging consists
in the fact that the resonance of any object differs with
respect to different wavelengths of light, depending on
the consistence of its colour; this is true both for the
visible and the invisible (ultraviolet and infrared) parts
of the spectrum. By applying a photographing method
that is restricted to a certain range of the spectrum, a
specific resonance may be retained or suppressed. This
principle can easily be demonstrated using a bicoloured
manuscript such as the Church Slavonic menaion manu-
script displayed in Fig. 1.
13
Of the two colours repre-
sented in it, red and dark-brown, the first one will ap-
pear extremely bright when photographed within the red
range of the spectrum, i.e., 620–750 nm, and it will be
more and more dark the more we go down the spectral
range; cp. Figs. 2–5 showing this effect.
In the case of palimpsest manuscripts, the effect
that can be gained from this predisposition depends on
three factors: The colour resonance of the upper script,
that of the lower script, and that of the background, i.e.,
the parchment itself. One might expect that the the first
two are the most decisive factors in this constellation,
Fig. 1. Church Slavonic menaion (bicoloured)
13
The manuscript (allegedly of the early XVIIth cen-
tury) was donated to the University of Frankfurt in 2003 so
that it could be used for testing the application of the multi-
spectral imaging system.
170
Jost Gippert
Bull. Georg. Natl. Acad. Sci. Vol. 175, No1, 2007
Fig. 5. Same, at 680 nm (red)
Fig. 4. Same, at 620 nm (orange)
Fig. 3. Same, at 540 nm (green)
Fig. 2. Same, at 440 nm (violet)
The Application of Multispectral Imaging in the Study of Caucasian Palimpsests
171
Bull. Georg. Natl. Acad. Sci. Vol. 175, No1, 2007
as in many cases, it might be desirable to “enhance” the
lower script in contrast with the upper script covering it.
This, however, is not always possible in parchment pal-
impsests of Caucasian (or, rather, Near Eastern) prov-
enance as both the lower and the upper scripts were
usually written with the same type of inks, which results
in similar resonances. Thus the application of multispec-
tral imaging must concentrate upon two aims:
a) increasing the contrast between the (erased) lower
script and the background. This aim is quite the same as
that of applying ultraviolet photographing to the pal-
impsests as it is mostly in the violet and ultraviolet range
(370–440 nm) that the contrast between a washed or
wiped out ink and a parchment skin bearing it can be
reinforced. The reason is that the inks used in the Near
Eastern Middle Ages had but very few “blueish” por-
tions and appear darker in that range while the parch-
ment appears rather bright, at least if it has not been
discoloured or stained in the course of history. In many
cases, the results to be achieved applying a diversified
spectral imaging will be better than those to be gained
by mere ultraviolet photography as the range of optimal
contrast may vary from leaf to leaf, often extending into
the blue range (450–495 nm); cp. Figs. 6 and 7 which
contrast an ultraviolet photograph and an image taken
at 460 nm of fol. 10r of the Vienna palimpsest, and Fig. 8
showing a well readable extract of the latter. The method
of preparing a large set of digital images covering the
spectrum from the ultraviolet range up to the red range
to be analysed on the computer screen has been ap-
plied extensively in the present project, and in the case
of the Vienna palimpsest, it has led to an increase of the
reading rates upto about 95% (while ca. 80% are achiev-
able using ultraviolet photographs). It goes without say-
ing that this method always remains experimental and
its results depend to a high degree on the light source
used and other conditions;
b) exploiting the difference of several images show-
ing the same object to reduce the preponderance of the
upper script. This aim is mostly connected with the task
Fig. 6. Fol. 10r (ultraviolet photograph)
172
Jost Gippert
Bull. Georg. Natl. Acad. Sci. Vol. 175, No1, 2007
14
The recalculation procedures here discribed are inte-
grated in the software provided with the MuSIS system.
Fig. 7. Fol. 10r (spectral image at 460 nm)
of reproducing the contents of the palimpsest in printed
form, and it is the method of recalculating the bright-
ness information of two different spectral images that
can be applied here. To give an example, Figs. 9 to 16
below show another page of the Vienna palimpsest (fol.
28v, containing Mk. 10,29–30) in eight different appear-
ances: first in a plain colour image and an ultraviolet
photograph, then in two spectral images (at 440 and 580
nm), and lastly in four different “recalculations” of the
latter pair of images.
14
It is clear from these specimens
that neither the addition nor the multiplication of the
data of two spectral images yield noteworthy results
with respect to a better distinction of the upper and
lower scripts. In contrast to this, a subtraction of the
brightness data of the two images brings about a clear
improvement as it effects the inversion of the lower
script. The best results by far are achieved applying a
division of the data as in Fig. 16. Here, the upper script
is nearly levelled to the grey value of the (parchment)
background, and the lower script alone stands out. The
reason for this can be seen in the fact that the ink used
in the upper script is near to black, which means that it
has quite the same (low) level of brightness throughout
the visible spectrum; the same holds true for the parch-
ment background if it is whitish and not stained or
discoloured in a peculiar way, as in the given example.
Different from this, the lower script, which appears yel-
low or brownish to the human eye, will have extremely
divergent brightness values in the blue and yellow range,
resulting in a high quotient when divided. It must be
admitted that this method, too, has narrow limits. Its
efficiency depends not only on the grade of visibility of
the lower script but also on the state and tinct of the
parchment, and many of the pages of the Vienna palimp-
sest illustrate the problems resulting from this. Fol. 28
(and some other pages of the underlying Gospel ms.)
are rather exceptional in the quality of the reproductions
that can be achieved using the “recalculation” method.
The Application of Multispectral Imaging in the Study of Caucasian Palimpsests
173
Bull. Georg. Natl. Acad. Sci. Vol. 175, No1, 2007
It should be added here that for those parts of the
Vienna palimpsest the lower text of which is written in
small Nuskhuri characters
15
, none of the methods de-
scribed above can be applied successfully. Whenever
the lower script is covered by the upper text in its en-
tirety, optical means will not be apt to make it reappear.
For the lower texts in Asomtavruli script, the application
of multispectral imaging has generally yielded good re-
sults, however.
In the case of the “Albanian” palimpsests from
Mt. Sinai
16
, the successful application of the multispec-
tral imaging method was further limited by two special
conditions. Firstly, very many leaves of the manuscripts
Fig. 8. Same, extract (enlarged)
were badly defaced by fire
17
, which resulted in a dark
stain especially of the margins; cf. Figs. 18–20 show-
ing a specimen of this type. Secondly, one of the origi-
nal manuscripts (containing parts of St. John’s Gos-
pels) had been erased in such a drastic way that on
many pages, hardly any remains of it have survived.
This is why the reading rate is much lower than with
the Vienna palimpsest, ending up with less than 50%
for the latter original.
To be sure, the results of the present project have
not been achieved by applying multispectral imaging
alone. The “normal” ultraviolet photographs that had
been prepared both for the Vienna codex
18
and for the
174
Jost Gippert
Bull. Georg. Natl. Acad. Sci. Vol. 175, No1, 2007
Fig. 9. Fol. 28v (colour image)
Fig. 10. Same (ultraviolet photograph)
The Application of Multispectral Imaging in the Study of Caucasian Palimpsests
175
Bull. Georg. Natl. Acad. Sci. Vol. 175, No1, 2007
Fig. 12. Same (spectral image, 580 nm)
Fig. 11. Fol. 28v (spectral image, 440 nm)
176
Jost Gippert
Bull. Georg. Natl. Acad. Sci. Vol. 175, No1, 2007
Fig. 13. Same (values of Figs. 11 and 12 “added”)
Fig. 14. Same (values of Figs. 11 and 12 “multiplied”)
The Application of Multispectral Imaging in the Study of Caucasian Palimpsests
177
Bull. Georg. Natl. Acad. Sci. Vol. 175, No1, 2007
Fig. 15. Same (values of Figs. 11 and 12 “subtracted”)
Fig. 16. Same (values of Figs. 36 and 37 “divided”)
178
Jost Gippert
Bull. Georg. Natl. Acad. Sci. Vol. 175, No1, 2007
colour images was prepared for both the Vienna codex
and the Albanian palimpsests in the course of the
present project. For the study of palimpsests, it is there-
fore highly advisable to use all three kinds of images
side by side.
Fig. 20. Same, extract (at 440 nm)
“Albanian” palimpsests before
19
have been used
throughout the editorial work to verify suggestions and
support the readings. In some cases, even high resolu-
tion colour photographs
20
have turned out to be indis-
pensable for the decipherment. A complete set of digital
Fig. 17. 8r of the Albanian palimpsest M55 (colour)
Fig. 18. Same (ultraviolet photograph)
Fig. 19. Same, extract (at 440 nm)
19
The ultraviolet photographs were taken in situ in the
course of the ARMAZI project (cf. n. 9) and have been pub-
lished in digital form on the project server in http://armazi.uni-
frankfurt.de/armaz3.htm since 2002.
20
A complete set of digital colour images was prepared
for both the Vienna codex and the Albanian palimpsests in the
course of the present project.
The Application of Multispectral Imaging in the Study of Caucasian Palimpsests
179
Bull. Georg. Natl. Acad. Sci. Vol. 175, No1, 2007
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