Thеmе: english romanticism and its development content introduction chapter I. Romanticsim in english literature

CONCLUSION
I have come to the following conclusion as a result of this research: English Romanticism was one of the most inventive, extreme, and unstable periods in history. It was a time of rebellion, conservatism, and reformation, and it produced imaginative literature with a structure that was typical of the modern era. Romanticism put on accentuation on the meaning of the individual, opposed the realism and it went against the dependence of writing to customary old principles and upheld a re-visitation of nature. Modern life was studied and criticized in the writings of the fiction writers and the satirical writings of Byron, while the classical writers were investigated in a new and different way, were developed by the genius of Shelley and Keates. The middle ages inspired the historical novels of Scott and many others. Through distinctive qualities on the off chance that their compositions, The Heartfelt scholars changed the opening soul of verse in mid nineteenth 100 years.
Poetry was seen as an "imitation" of human nature during Romanticism, with its primary function remaining the expression of the poet's emotions. Heartfelt verse was, notwithstanding, a sort of section unmistakable from anything before it both in structure and topic. New ideas of simplicity influenced its language, which substituted a form of language actually used by common people for artificial poetic diction.
It is abundantly clear that, despite the fact that romanticism came to an end at the beginning of the nineteenth century, modern literature and art continue to be influenced by it.
Creative imagination, nature, myth and symbolism, emotion and intuition, independence from rules, spontaneity, simple language, individual experience, democracy and freedom, and attraction to the past—including the ancient myths and mysticism of the middle ages—are just a few of the romantic concepts that remain at the core of literary works today. Furthermore, Romanticism addressed large numbers of the divisions and philosophical questions that underlie the advanced world, political opportunity and mistreatment, individual and aggregate obligations or commitments, male and female jobs (up to this point, the laid out norm of Romanticism was predominantly male), the past, present, and future. This proved to be the foundation of the modern Western worldview, which saw people as free individuals seeking self-realization through democratic means rather than as reserved members of an authoritarian society.
Notwithstanding, the most important endowment of Romanticism is the development of the virtuoso of two youthful artists, John Keats and Percy Bysshe Shelley, whose analyses with verse and graceful style prompted the arrangement of current writing.
Shelley is the best and most imaginative verse essayist in English writing, whose expressive power is currently viewed as one of the significant commitments to writing, similar to Shakespeare's emotional energy.
In certain regards, Shelley is the pith of a heartfelt writer, his capricious and short existence with its freakish extraordinary quality, his temperament of delight and vagueness, his magnified mythopoetic creative mind, his elated vision converging into a broad picture of Romanticism.
Keats' letters show that he was a passionate philosopher. In them, he pondered the essence of poetry and the poet, as well as the issues of suffering and death. Keats' letters showed the starting points of a Developed and knowing brain that would ultimately change his luxurious Romanticism to something like a Shakespearean quality, while his sonnets addressed a completely erotic feature of the heartfelt development.
In spite of the fact that Shelley and Keats were the most questionable authors of the early many years of the nineteenth 100 years, their significance to English language and writing is generally perceived today. Sharing a ton practically speaking in creative mind, contemplations, works and destiny, they established the underpinnings of current writing, both lovely and exposition.