Fashion and design



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FASHION AND DESIGN
AND RELATED SUBJECTS


A significant collection of 200 titles, all in English,
specially selected for Tsinghua University Arts Library


Simon Finch Norfolk

3-5 Fish Hill, Holt

Norfolk NR25 6BD
INTRODUCTION
The world of fashion and design encompasses a vast area of creativity and is responsible for enhancing our lives both practically and aesthetically; often this is on an everyday basis and in ways we hardly notice, but at other times designers make bold statements, which we find impossible to ignore. The two hundred titles presented in this collection, range from the art of button-making and the development of shoe design to the architectural masterpieces of Frank Lloyd Wright and the superb garden designs of Capability Brown, and demonstrate the impact design has on everything around us.
Fashion and costume design are both well represented and are complimented by the work of a variety of renowned fashion photographers. Fashion design can be defined as the dedicated applied art to clothing and lifestyle accessories created within the cultural and social influences of a specific time. Fashion design differs from costume design due to the transience of the core product, which is usually limited to one or two seasons. It is generally considered to have started in the 19th century with Charles Frederick Worth, who was the first designer to have his label sewn into the garments that he created. All articles of clothing from any time period are categorised as costume design, but only clothing created after 1858 is classed as fashion design. There are many types of fashion designers ranging from those that are self-employed who design for individual clients to those that work for apparel manufacturers, creating designs for the mass market. Established brand names are likely to be designed by a team of individual designers under the direction of a designer director.
The term graphic design refers to a number of artistic and professional disciplines that focus on visual communication and presentation. Various methods are used to create and combine symbols, images and words to create a visual representation of ideas and messages. Typography, visual arts and page layout techniques all help to produce the final result. Graphic design is generally used in magazines, advertisements, product packaging and web design. There are examples of each of these categories in the titles offered here, such as the jazz magazine covers depicted in ‘The Cat on a Hot Thin Groove’, by Gene Deitch, the monograph on Shawn Wolfe, who famously produced the world’s first ever anti-brand, Martin Bril’s survey on Dutch packaging design and several informative computer graphics publications.
There are architectural studies that span the stylistic spectrum, and distinctive works on landscape and garden design that are instructive and inspirational. Practical guides on interior design are accompanied by impressive surveys that provide ideas for innovative decoration. Examples of textile and fabric design as seen in Oriental carpets and a variety of well-illustrated texts on embroidery and needlepoint are also present. A selection of works on European ceramics, furniture and woodwork, and glass are alongside historical accounts of silver. This collection demonstrates the transforming effect design has on the world we live in and will provide a diverse and fascinating resource on a subject that has an influence on all our lives.

ARCHITECTURAL DESIGN

1 ANDREWS, Brian. Australian Gothic. The Gothic Revival in Australian Architecture from the 1840s to the 1950s. Melbourne, The Miegunyah Press/Melbourne University Press, 2001.

4to. 194pp. Numerous coloured and black and white illustrations. Dust-jacket.

A comprehensive overview of the Gothic Revival in Australian architecture. This earnest return to building in the style of the Middle Ages touched most aspects of the Australian-built environment, including houses, churches, banks, schools, and even funeral parlours and tombstones.
OUTSTANDING EXAMPLES OF SHOP FRONT DESIGN

2 CHATTERTON, Frederick. [Editor.] Shop Fronts : A Selection of English, American and Continental Examples. London, The Architectural Press, 1927.

4to. 108pp. Numerous illustrations. Diagrams. Plans. Cloth-backed boards.

A work that covers a selection of European and American-designed shop fronts. The editor shows how design has 'improved' over the last decade.
EXPRESSIONIST ARCHITECTURE

3 CONRADS, Ulrich & SPERLICH, Hans G. The Architecture of Fantasy : Utopian Building and Planning in Modern Times. Translated and Edited, and Expanded by Christiane Crasemann Collins and George R. Collins. New York, Frederick A. Praeger, 1960.

4to. 187pp. Frontispiece. Numerous illustrations. Dust-jacket.

An important work on the unusual, the visionary and the fantastic in twentieth-century architecture. Discusses and illustrates the work of Bruno Taut, Le Corbusier, Mies and others. Sperlich designed the influential 'Health Chair' made of bent white painted metal and with a moveable backrest.
4 FRIEDMAN, Donald. Historical Building Construction : Design, Materials, and Technology. New York and London, W.W. Norton & Company, 1995.

4to. 238pp. Frontispiece. Illustrations. Diagrams. Dust-jacket.



A guide to the physical construction of buildings from the 1840s to the present using narrative, drawings, and photographs to describe the development of masonry, wood, and steel construction, modern curtain walls and concrete slabs, and the use of cast iron and patented floor construction. Case histories show how this information is applied to actual projects, ranging from brownstones to skyscrapers.
5 GANNETT, William C. The House Beautiful. In a Setting Designed by Frank Lloyd Wright and Printed by Hand at the Auvergen Press in River Forest by William Herman Winslow and Frank Lloyd Wright During the Winter Months of the Year Eighteen Hundred Ninety Six and Seven. Rihnert Park, Pomegranate Artbooks, 1996.

4to. 76pp. 12 gravure photographic illustrations. Illustrated in red and black throughout. Dust-jacket.



A facsimile edition of 'The House Beautiful' that reproduces – in its entirety – a book designed by Frank Lloyd Wright and hand-printed at the tiny Auvergne Press in 1897 by Wright and William Herman Winslow. Only 90 signed copies of this exquisite artisan book were produced. Wright's intricate drawings surround an essay by William Gannett reflecting on the importance of tasteful design for a harmonious home, and further, how a harmonious home augments spiritual, intellectual, societal, and corporeal health. This beautiful centennial edition contains a Foreword by John Arthur, an internationally recognized authority on contemporary American realism.
6 GOFF, Lee. Stone Built : Contemporary American Houses. Introduction by Charles Gwathmey. New York, The Monacelli Press, 1997.

4to. 272pp. Lavishly illustrated, principally in colour. Plans. Dust-jacket.



A work that presents twenty-seven contemporary residences, that span the entire stylistic spectrum. The United States has always had a great number of stone houses, subject to regional and stylistic variations. Houses of stone continue to appear nowadays in a myriad of guises – classical, modern, vernacular, postmodern – throughout the country. In fact, Goff concludes that a new renaissance of stone houses is at hand.
7 GROVER, Razia. [Editor.] Concepts and Responses. International Architectural Design Competition for the Indira Gandhi National Centre for the Arts, New Delhi. Ahmedabad, Mapin Publishing, 1992.

Folio. 184pp. Profusely illustrated in colour and black and white. Diagrams. Numerous plans. Dust-jacket.



Includes architectural designs submitted to a competition for the Indira Gandhi National Centre for the Arts, New Delhi. Fifty of the one hundred and ninety-four entries are represented, including the five prize-winning proposals. It also serves as an encyclopaedia of ideas and information to architects and builders throughout the world.
8 HENDERSON, Andrew. The Family House in England. London, Phoenix House, 1964.

8vo. 96pp. Numerous illustrations. Plans. Dust-jacket.



A lucid and profusely illustrated account of the development of the small family house in England from Anglo-Saxon times to the present.
9 ISAACSON, Philip M. Round Buildings, Square Buildings and Buildings That Wiggle Like a Fish. With Photographs by the Author. London, Julia MacRae Books, 1990.

Oblong 4to. 121pp. Coloured frontispiece. Numerous coloured illustrations. Dust-jacket.



A pictorial and highly personal tour of buildings around the world, from the classical Parthenon in Greece through to the simple fishermen's shacks in New England and the post-modernist Pompidou Center in France.
10 JENKINS, Stover & MOHNEY, David. The Houses of Philip Johnson. Afterword by Neil Levine. Photographs by Steven Brooke. New York and London, Abbeville Press Publishers, 2001.

4to. 288pp. Coloured frontispiece. Numerous coloured and black and white illustrations. Plans. Dust-jacket.



The first book devoted to Philip Johnson's Glass House and his other innovative residential architecture. For almost three-quarters of a century, as a critic and curator beginning in the 1930s, and as a practising architect since the 1940s, Philip Johnson has been at the centre of modern architecture's development.
AN ARCHITECTURAL MASTERPIECE

11 LIPMAN, Jonathan. Frank Lloyd Wright and the Johnson Wax Buildings. Introduction by Kenneth Frampton. New York, Rizzoli, 1986.

Small 4to. 192pp. Profusely illustrated in colour and black and white. Plans, some folding. With the book label: 'From the Apartment of HRH The Princess Margaret, Countess of Snowdon 1930-2002'. Dust-jacket.

A thorough and sympathetic review of the genesis and design of one of the great buildings of 20th-century architecture. Herbert Johnson, the client, and Wright, the architect, together created a group of buildings that are still extraordinary 50 years after they were begun in Racine, Wisconsin. Lipman, an architect himself, draws on much unpublished archival material to expose the workings of the design process in detail.
12 McDERMOTT, Catherine. Essential Design. London, Bloomsbury, 1992.

8vo. 215pp. Dust-jacket.



A guide that includes an introductory essay that traces the evolution of Europe's design culture from the industrial revolution to postmodernism. McDermott's dictionary defines 200 basic design terms.
13 QUIMBY, Ian M.G. & EARL, Polly Anne. [Editors.] Technological Innovation and the Decorative Arts. Published for The Henry Francis du Pont Winterthur Museum. Charlottesville, The University of Virginia, 1974.

8vo. 373pp. Illustrations. Type-written text. Paperback.



The Winterthur Conference Report 1973. The catalogue, which accompanied an exhibition, explores how the transition from handwork to machine-work affected the furniture, wallpaper, gun, clock, iron, glass, silver, and textile-printing industries.
14 SEXTON, R.W. [Editor.] American Public Buildings of Today. City Halls, Court Houses, Municipal Buildings, Fire Stations, Libraries, Museums, Park Buildings. Foreword by William Adams Delano. New York, Architectural Book Publishing Company, Inc., 1931.

Large folio. 209pp. Frontispiece. Numerous black and white illustrations. Numerous plans and elevations. Dust-jacket.



In the ‘American Architecture of Today’ series. Sexton examines civic and government architecture, including some buildings designed by the most outstanding architects of the twentieth century such as the Folger Shakespeare Library, Washington D.C.; and the Rodin Museum by Paul P. Cret; the Baltimore Museum by John Russell Pope; and Myron Hunt's Spanish or 'Mission' style buildings in California.
15 STAAL, Gert. Between Dictate and Design : The Architecture of Office Buildings. Rotterdam, Uitgeverij 010 Publishers, 1987.

Small 4to. 155pp. Profusely illustrated in colour and black and white. Plans. Illustrated endpapers. Dust-jacket.



The relationship between the client and the architect, between the owner and the builder, determines the quality of the architecture. ‘Between Dictate and Design’ describes this cooperative relationship chronologically, starting in the middle of the 19th century.
16 TEAGUE, Walter Dorwin. Design This Day : The Technique of Order in the Machine Age. London, The Studio Publications, 1946.

8vo. 237pp. Illustrations. Diagrams. Neat ownership inscription on front free-endpaper. Cloth-backed illustrated boards.



First English edition. First published in America in 1940. Walter Dorwin Teague, 1883-1960, was an American architect and designer, and also one of the most prolific American industrial designers. An inspirational work that traces the development of modern design and outlines the necessary techniques required to solve design problems.
17 WILTON-ELY, John. Piranesi as Architect and Designer. New York, The Pierpont Morgan Library; New Haven and London, Yale University Press, 1993.

4to. 186pp. Coloured frontispiece and 7 coloured illustrations. Profusely illustrated in black and white. Dust-jacket.



A work that evaluates Piranesi's activities, theories and influences as an architect, together with his far-reaching impact on the decorative arts. Includes reproductions of a wide range of Piranesi's drawings and etchings.
18 WRIGHT, Frank Lloyd. When Democracy Builds. Revised Edition. Chicago, University of Chicago Press, 1945.

8vo. 140pp. Frontispiece. Illustrations. Plan. Brown cloth.



In 1932 Wright published his classic indictment on the city, 'The Disappearing City'. He continued to work on his thesis and in 1945 republished it as 'When Democracy Builds'.
CERAMICS

19 BATTIE, David. David Battie's Guide to Understanding 19th & 20th Century British Porcelain. Including Fakes, Techniques and Prices. Woodbridge, Antique Collectors' Club, 1997.

4to. 320pp. Coloured frontispiece. Profusely illustrated in colour and black and white. Dust-jacket.

An informative work that provides the latest information resulting from research into the major factory archives over the last fifteen years.
20 BURTON, William. A History and Description of English Porcelain. With a New Introduction. Wakefield, EP Publishing Limited, 1972.

8vo. 196pp. Numerous illustrations. Dust-jacket.



A major general history on the subject which was first published in a limited edition in 1902. It describes the early experiments of the 1740s, the development and decline of the great eighteenth- century factories, the revival of experiments in soft paste in the early 1800s and perhaps most importantly the modern developments of firms like Copelands, Mintons, Worcester, Bernard Moore and Belleek.
21 CHARLES, Rollo. Continental Porcelain of the Eighteenth Century. London, Ernest Benn Limited; Toronto, University of Toronto Press, 1964.

4to. 198pp. 76pp. illustrations, some coloured. Map. Mauve cloth.



A survey of eighteenth-century continental porcelain including Fürstenberg, Meissen, Höchst, Nymphenburg, Frankenthal, Ludwigsburg, Mennecy, Sèvres and others.
22 CUSHION, John. English Porcelain. London, Charles Letts and Company Limited, 1974.

8vo. 71pp. Numerous coloured illustrations. Dust-jacket.



An historical outline that refers to the influences exerted on English porcelain from both Europe and the Orient. All the main porcelain factories are represented, from the homely charm of blue-and-white Lowestoft ware to the delicately sophisticated works of Chelsea and Bow, Rockingham, Wedgwood and Worcester.
23 CUSHION, John. Porcelain. London, Orbis Publishing, 1975.

4to. 64pp. Numerous coloured and black and white illustrations. Map. Illustrated endpapers. Dust-jacket.



An authoritative study that traces the history of porcelain from the first use of china clay in China in about AD 215 to its first appearance in Europe.
24 FISHER, Stanley W. English Blue and White Porcelain of the 18th Century. An IIlustrated Descriptive Account of the Early Soft Paste Productions of Bow, Chelsea, Lowestoft, Derby, Longton Hall, Bristol, Worcester, Caughley and Liverpool Potters, circa 1740-1800. With a Foreword by Bernard Rackham. London, Fitzhouse Books, 1989.

8vo. 190pp. Frontispiece. Numerous illustrations. Dust-jacket.



A classic reference work first published in 1947.
25 HUGHES, Bernard & Therle. The Collector's Encyclopaedia of English Ceramics. London, Abbey Library, 1968.

8vo. 172pp. Frontispiece. Numerous illustrations, some coloured. Dust-jacket.



A work that covers the whole range of ceramics from eggshell porcelain to ironstone china. Includes useful drawings of marks to help in identification.
26 HUGHES, G. Bernard. Victorian Pottery and Porcelain. London, Country Life Limited, 1959.

8vo. 184pp. Coloured frontispiece. Numerous illustrations. Ownership inscription on front free-endpaper. Green cloth.



A complete history of the pottery and porcelain produced in Great Britain during the 19th century, such as Spode, Minton, Wedgwood, and others.
27 JØRGENSEN, Gunhild. The Techniques of China Painting. New York and London, Van Nostrand Reinhold Company, 1974.

Square 8vo. 112pp. Numerous illustrations, some coloured. Dust-jacket.



A comprehensive guide to china painting including the technical skills involved and all aspects of design.
28 LEFTERI, Chris. Ceramics : Materials for Inspirational Design. Mies, RotoVision SA, 2003.

4to. 159pp. Profusely illustrated in colour. Dust-jacket.



A reference work that explores and illustrates a range of modern ceramic materials.
29 LITTLE, W.L. Staffordshire Blue : Underglaze Blue Transfer-Printed Earthenware. London, B.T. Batsford Ltd., 1969.

8vo. 160pp. 64pp. illustrations. Map. Dust-jacket.



A history of the Staffordshire potteries covering the period from 1780 to 1850, with descriptions of the technical developments of Staffordshire Blue.
30 PINOT DE VILLECHENON, Marie-Noëlle. Sèvres : Porcelain from the Sèvres Museum 1740 to the Present Day. Translated by John Gilbert. London, Lund Humphries Publishers, 1997.

4to. 147pp. Profusely illustrated in colour and black and white. Illustrated endpapers. Dust-jacket.



The Sèvres Porcelain Factory was established in the Château of Vincennes just outside Paris in 1740. It quickly became the pre-eminent producer of porcelain in Europe. Supported in its early years by the patronage of Louis XV, the factory was named the Manufacture du Roi in 1753 and was purchased by the king in 1759. Catering in large part to the tastes of the Court, the factory strove for constant innovation and originality throughout the 18th century, frequently employing the leading artists and designers of the day to provide models and inspiration for the factory’s artisans.
31 REES, Diana & CAWLEY, Marjorie G. A Pictorial Encyclopaedia of Goss China. Newport, The Ceramic Book Company, 1970.

4to. 29pp. Coloured frontispiece. 63pp. illustrations. Red cloth.



'Goss China' is the term used to refer to the products of the Falcon Pottery, situated in Stoke-on-Trent, of William Henry Goss, 1833-1906, and his sons, Adolphus and Victor. They are credited with the idea of making the souvenir ware bearing crests and names of seaside resorts, in the late 19th century, that have become immensely collectable.
32 ROYAL COPENHAGEN JAPAN LTD. [Editors.] Flora Danica 1790-1990. Tokyo, Shigehiko Koshiba, Royal Copenhagen Ltd., 1989.

4to. 67pp. Numerous coloured illustrations. Dust-jacket.



The most prestigious 18th-century dinner service still in production today is Flora Danica which was based on botanical illustrations depicting the entire Danish flora. It is considered to be one of the most original and inspiring creations of European decorative art, deriving from a period that has become known as 'The Golden Age of Porcelain'.

DESIGN & PACKAGING

33 ANDEL, Jaroslav. Avant-Garde Page Design 1900-1950. New York, Delano Greenidge Editions, 2002.

Small folio. 388pp. Profusely illustrated in colour and black and white. Dust-jacket.

An authoritative survey that demonstrates the indebtedness of today’s visual aesthetic to the experimental page design of the historical avant-garde. With images by more than 250 individual artists, the book chronicles the history of modern page design and presents vivid examples drawn from the major movements of the era: Expressionism, Cubism, Futurism, Dadaism, Constructivism, and Surrealism. Illustrations include designs by Pablo Picasso, Henri Matisse, Wassily Kandinsky, Marcel Duchamp, Aleksandr Rodchenko, Lázló Moholy-Nagy, El Lissitzky, Jan Tschichold – as well as the lesser-known figures whose efforts shaped the printed page as we know it today. The text is in English, French and German.
34 BELYEA, Patricia & SULLIVAN, Jenny. Fantastic Folders and Exceptional Envelopes. A Designer's Guide to Custom Carriers that Open Conversations and Seal Deals. Gloucester, Rockport Publishers Inc., 2005.

4to. 160pp. Profusely illustrated in colour and black and white. Diagrams. Paperback.



A useful handbook that includes many examples of inspiring designs accompanied by technical information.
35 BRIL, Martin. [Introductory Text.] Having or Appearing to Have Three Dimensions; Length, Breadth and Depth. Environmental Design. Amsterdam, BIS Publishers, 2002.

4to. 88pp. Profusely illustrated in colour. Paperback.



A survey of Members of the Association of Dutch Designers, BNO, and their work. The text is in Dutch and English.
36 BRIL, Martin. [Introductory Text.] You'd Better Wrap Yourself Up Well Before You Go Out. Packaging Design. Amsterdam, BIS Publishers, 2002.

4to. 80pp. Profusely illustrated in colour. Paperback.



A work that showcases the most inventive and advanced packaging design produced in Holland over the past year. The text is in Dutch and English.
37 BUFF, Sheila. Custom Made. A Catalogue of Personalized and Handcrafted Items. New York, Macmillan Publishing Company; London, Collier Macmillan Publishers, 1990.

4to. 191pp. Profusely illustrated in colour. Dust-jacket.



An informative guide to a wide range of custom-made items ranging from cuff links and golf clubs to swimming pools and cars.
38 CAHAN & ASSOCIATES. I Am Almost Always Hungry. London, Booth-Clibborn Editions, 1999.

4to, 262pp. Profusely illustrated in colour. Paperback.



The designers at the San Francisco-based design firm Cahan & Associates find inspiration in the most unexpected places, such as an oddly sculptural piece of discarded metal in the alley near their office, or a conversation with an elaborately tattooed bicycle messenger. The result is design that is exceptional for its visceral impact. The firm's working methods, involving extensive exploration, collaborations, and play, are documented in this monograph. Includes an interview with founder Bill Cahan.
39 CALVER, Giles. Retail Graphics. Crans-Près-Céligny, RotoVision, 2001.

4to. 158pp. Coloured frontispiece. Numerous coloured illustrations. Dust-jacket.



An exploration of how graphics are used to build and maintain a brand profile, support customer services and integrate with the whole store experience, this title provides examples of different types of retail graphics and case studies to show how they are used in diverse and creative ways.
40 CURRAN, Ste. Game Plan : Great Designs that Changed the Face of Computer Gaming. Mies, RotoVision SA, 2004.

Small 4to. 160pp. Profusely illustrated in colour. Paperback.



Curran considers ten works of video-gaming genius. The book explores how the industry evolved from these pivotal pieces of digital art. Conversations with creators and producers reveal the inspirations behind their masterworks, as well as giving insights into the development process. Includes Tomb Raider, Populous, Streetfighter II and Super Mario 64.
41 CURRAN, Steve. Convergence Design : Creating the User Experience for Interactive Television, Wireless, and Broadband. Gloucester, Rockport Publishers Inc., 2003.

4to. 160pp. Profusely illustrated in colour and black and white. Dust-jacket.



Features profiles of outstanding interface and content solutions for interactive television, wireless and broadband from around the world.
42 DALLEY, Terence. [Consultant Editor.] The Complete Guide to Illustration and Design : Techniques and Materials. Oxford, Phaidon, 1981.

4to. 224pp. Profusely illustrated in colour and black and white. Diagrams. Ownership inscription on front paste-down endpaper. Dust-jacket.



A comprehensive study on all aspects of illustration and design including the history, equipment, techniques and materials.
43 DEITCH, Gene. The Cat on a Hot Thin Groove. Seattle, Fantagraphics Books, 2003.

Oblong folio. 160pp. Profusely illustrated in colour and black and white. Illustrated endpapers. Dust-jacket.



Deitch is an American Academy-Award winning illustrator, animator and film director, now based in Prague. A collection of all of Deitch's covers for 'The Record Changer', a jazz magazine he contributed to from 1945 to 1951, the book also includes every Cat cartoon Deitch drew for the interior of the magazine.
44 DOWDY, Clare. Beyond Logos : New Definitions of Corporate Identity. Mies, RotoVision, 2003.

4to. 160pp. Profusely illustrated in colour. Dust-jacket.



The corporate identity of the 80s and 90s has undergone a revolution in the last five years. Now the talk is of branding. The growth of globalisation and the increasing realisation among corporations, both large and small, that this is the only way of distinguishing themselves has caused large sections of the design industry to adapt, so they now offer new services and are set to meet the new branding challenges.
45 EDITORS OF TIME-LIFE BOOKS. Computer Images. Amsterdam, Time-Life Books, 1986.

Small 4to. 128pp. Numerous illustrations, principally coloured. Diagrams. Silver boards with paste-down coloured illustration on upper cover.



A work that covers the computer's graphic potential, interactive skills, visual possibilities, science and the silver screen and artificial realities.
46 EHMCKE, F.H. Graphic Trade Symbols by German Designers from the 1907 Klingspor Catalog. New York, Dover Publications, Inc., 1974.

4to. 63pp. 293 trade symbols and 54 sample layouts. Paperback.



A collection of 293 German trade graphics mostly created by Fritz Hellmut Ehmcke, who was strongly influenced by the work of William Morris. Ehmcke's collection of trade symbols was published for the first time in 1907 when he was 29. They were produced at the Klingspor Type Foundry, the finest source of typographical design in Europe during the early twentieth century.
47 FISHEL, Catharine. The Power of Paper in Graphic Design. Gloucester, Rockport Publishers Inc., 2002.

4to. 192pp. Profusely illustrated in colour. Dust-jacket.



A collection of paper graphics that presents striking and effective work from top designers. It also demonstrates how the qualities of the paper itself inspired or directed the finish piece.
48 FOGES, Chris. Outsize : Large Scale Graphic Design. Mies, RotoVision, 2003.

4to. 159pp. Profusely illustrated in colour. Dust-jacket.



Outsize graphics are now more than ever part of the environment. From the period adverts painted on the long-concealed sides of buildings to the latest in high-tech digital building cladding, this volume explores in detail the concept, design and application of large scale graphics.
49 HOLZSCHLAG, Molly E. Color for Websites. Crans-Près-Céligny, RotoVision SA, 2001.

4to. 176pp. Profusely illustrated in colour and black and white. Dust-jacket.



Colour is a crucial ingredient in any website. From the very basic level of attracting potential 'surfers' to stop and take a thorough look at the site, to the more complex navigational requirements of layered information, the use of colour can make or break a website. This book examines in depth the differences in value between colour on screen and on printed material, and offers outstanding examples of good colour use in a wide range of websites. An extremely useful work of reference written by an expert on the subject.
A HIGHLY INFLUENTIAL WORK
50 KLEIN, Naomi. No Logo. Taking Aim at the Brand Bullies. London, Flamingo, 2000.

8vo. 490pp. Illustrations. Diagrams. Paperback.



Highly acclaimed polemic attacking the way branding drives the global marketplace.
51 MOLINARI, Pierluigi, PIVA, Marco, RAINEY, Helen & MARCHETTI, Cesare. Forma & Funzione : Italian Design at Work. Exhibition of Technologies and Products for the Office Environment. Milano, Silvia Editrice, 1990.

Small 4to. 112pp. Profusely illustrated in black and white. Paperback.



The catalogue of an exhibition held at the Science Museum in London, that demonstrates the technology-led approach to the design and manufacture of Italian products.
52 MORILLAS & ASSOCIATES. Packaging and Corporate Identity. Barcelona, Index Books, 2001.

Small 4to. 199pp. Profusely illustrated in colour throughout. Paperback.



Renowned for its efforts to create innovative packaging and corporate identity programmes that easily and naturally find their way into our daily existence, Morillas & Associates are totally unique. Features a broad selection of packaging types and corporate identity campaigns for a variety of A-list clients and brands including Maggi, Lindt, Purina, Nescafé, Gerber, Domecq, Sarda Lingerie, Pryca Snacks and many more.
53 ODLING-SMEE, Anne. The New Handmade Graphics : Beyond Digital Design. Mies, RotoVision, 2002.

4to. 160pp. Profusely illustrated in colour. Dust-jacket.



A work that explores the fascination designers have with the handmade, an increasingly popular area of design. The creative possibilities of typography, image-making, printing and binding are explored and the volume features some rarely-seen examples from around the world, including: hand-bound artists' books, brochures using handmade paper, and hand-folded and boxed magazines.
54 OPIE, Robert. The Art of the Label : Designs of the Times. Royston, Eagle Editions, 2002.

Small 4to. 144pp. Coloured frontispiece. Profusely illustrated in colour. Dust-jacket.



A work that traces the origin and development of labels and the major factors influencing their design. The main section of the book is divided into categories according to the products the labels describe: medicines, toiletries, drink, food, tobacco, and household goods.
55 PEDERSEN, B. Martin. [Editor.] Bottle Design : Beer, Wine, Spirits. New York, Graphis Inc., 1997.

Narrow 4to. 264pp. Profusely illustrated in colour. Dust-jacket.



International, contemporary and classic bottle design. Includes a commentary by Michel Roux. The text is in English, French and German.
56 PEDERSEN, B. Martin. [Editor.] The International Annual of Poster Art : Graphis Poster 95. Zurich, Graphis Press Corp., 1995.

4to. 240pp. Profusely illustrated in colour and black and white. Dust-jacket.



A selection of striking posters accompanied by essays by Tracy Metz on the Stedelijk Museum in Amsterdam, and Ada Stroeve and Catherine Bürer on the Toyama Museum of Modern Art. The text is in English, French and German.
57 PEDERSEN, B. Martin. [Editor.] The International Collection of CD Design : Graphis CD 1. Zurich, Graphis Press Corp., 1995.

4to. 224pp. Profusely illustrated in colour and black and white. Dust-jacket.



A selection of more than 500 CD designs, categorised by music styles and including works by designers from Geffen, Warner Brothers, Polygram, MCA, Columbia and Sony. With a commentary by Robin Sloane from Geffen Records. The text is in English, French and German.
58 PEDERSEN, B. Martin. [Editor.] An International Collection of Product Design : Graphis Products by Design 1. Zurich, Graphis Press Corp., 1994.

4to. 240pp. Profusely illustrated in colour. Dust-jacket.



A selection of new product designs, that includes categories such as office equipment, furniture, sporting goods, housewares, transportation, jewellery and fashion. With commentaries by Dean Miller, Bang and Olufsen, Steven Holt of Frogdesign, and Tucker Viemeister. The text is in English, French and German.
59 PEDERSEN, B. Martin. [Editor.] An International Collection of Promotional Art : Graphis Ephemera 1. Zurich, Graphis Press Corp., 1995.

4to. 224pp. Profusely illustrated in colour. Dust-jacket.



Examples of ephemera – 'The transient minor documents from everyday life'. With commentaries by Jan Burney and Herbert Lechner. The text is in English, French and German.
60 PEDERSEN, B. Martin. [Editor.] An International Compilation of Package Design : Graphis Packaging 6. Zurich, Graphis Press Corp., 1994.

4to. 240pp. Profusely illustrated in colour. Dust-jacket.



A work that covers recent package design. Faced with seemingly limitless material and design possibilities, continuously evolving technology and growing environmental concerns, package designers show some of the most creative work of their careers. The text is in English, French and German.
61 PENTAGRAM DESIGN. Pentagram Book Five. New York, The Monacelli Press, 1999.

4to. 494pp. Lavishly illustrated in colour and black and white. Plans. Illustrated endpapers. Dust-jacket.



Pentagram is an international design consultancy founded in 1972 with offices in New York, London, San Francisco, and Austin, Texas. Fifty case histories of Pentagram Design projects completed between 1993 and 1998 are presented, ranging from a corporate identity for an international airline alliance to packaging for a micro-brewery. With an essay by journalist Randall Rothenberg.
62 PERKINS, Sean, ARDILL, Ralph, CADDY, Adrian & others. Experience. Edited and Compiled by Sean Perkins. London, Booth-Clibborn Editions, 1995.

4to. 269pp. Profusely illustrated in colour. Paperback.




'Experience' documents dialogue between over 100 organisations, marketeers, designers and artists around the world, from the creators of Japanese fog parks to the creatives behind Nike Town – exploring the possibilities of a radically progressive approach to marketing.
A MONOGRAPH ON AN INNOVATIVE GRAPHIC DESIGNER

63 POYNER, Rick. Vaughan Oliver : Visceral Pleasures. London, Booth-Clibborn Editions, 2000.

4to. 224pp. Profusely illustrated in colour and black and white. Dust-jacket.

It is undeniable that Vaughan Oliver is one of the most impressive graphic designers to have emerged in Britain during the last twenty years. His record sleeves, labels, posters, postcards, and promotional material, designed for the independent record label 4AD, have become an integral part of the 4AD experience, and a cult in their own right among music lovers and graphic designers.
64 PRESTON, Richard. Pure Fuel. London, Booth-Clibborn Editions, 1996.

4to. 208pp. Profusely illustrated in colour and black and white. Dust-jacket.



'Pure Fuel' examines the diversity of our culture by graphic means. Photography, illustration and graphic images provide an interpretation of contemporary society.
65 ROCKPORT PUBLISHERS. The Best of The Best of Brochure Design. Gloucester, Rockport Publishers Inc., 2002.

4to. 272pp. Profusely illustrated in colour. Dust-jacket.



A collection of innovative graphic work and a useful reference resource that presents more than 500 examples of brochure design.
66 SEABERG, Albin G. Menu Design, Merchandising and Marketing. Third Edition. New York, Van Nostrand Reinhold Company, 1983.

4to. 319pp. Illustrations, some coloured. Beige cloth.



A practical and theoretical guide on how to design a menu to maximize market and merchandising potential.
67 SPARKE, Penny. Design in Context. London, Bloomsbury, 1987.

4to. 256pp. Profusely illustrated in colour and black and white. Dust-jacket.



The whole spectrum of design styles are covered – from the fine and decorative arts of the eighteenth century to technological products in the present.
68 TAPERT, Annette. Swid Powell. Objects by Architects. Introduction by Paul Goldberger. Design by Smatt Florence. London, Thames and Hudson, 1990.

4to. 144pp. Profusely illustrated in colour and black and white. Dust-jacket.



Swid Powell commissioned 15 leading architectural firms to create 'an extraordinary range of innovative and beautiful items for the contemporary home'. The architects were: Arquitectonica, Michael Graves, Gwathmey Siegel, Zaha Hadid, Robert & Trix Haussmann, Steven Holl, Arata Isozaki, Richard Meier, David Palterer, Paolo Portoghesi, Ettore Sottsass, George Sowden, Robert A M Stern, Stanley Tigerman and Robert Venturi.
69 THIBODEAU, Michael & MARTIN, Jana. Smoke Gets in Your Eyes. Branding and Design in Cigarette Packaging. New York, Abbeville Press Publishers, 2000.

8vo. 144pp. Coloured frontispiece. Profusely illustrated in colour. Dust-jacket.



A compendium of more than three hundred of the best international examples of cigarette packaging that includes a startling range of images.
THE PROVOCATIVE WORK OF SHAWN WOLFE

70 VANDERLANS, Rudy, CARSON, David & FREDERICKSEN, Eric. Uncanny : The Art and Design of Shawn Wolfe. Additional Text by Darick Chamberlin and Shawn Wolfe. Seattle, Houston; Corte Madera, Gingko Press, 2001.

8vo. 174pp. Profusely illustrated in colour and black and white. Paperback.

A monograph of Shawn Wolfe's work that encompasses painting, design, advertising, illustration and comics spanning over a decade. Wolfe is renowned for establishing Beatkit(tm), the world's first ever anti-brand. It was a brand without a product and was intended to be a shining example of what was wrong in a culture obsessed with consumerism.
71 WILLIAMS, Geoffrey. African Designs from Traditional Sources. New York, Dover Publications, Inc., 1971.

8vo. 200pp. Frontispiece. Illustrated throughout. Map. Paperback.



Linocut prints in black and white reflect traditional work from Zulu, Masai, and many other tribes.
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